Jan of Ruffluck Croft never tired of telling about the day when his little girl came into the world. In the early morning he had been to fetch the midwife, and other helpers; all the forenoon and a good part of the afternoon he had sat on the chopping-block, in the woodshed, with nothing to do but to wait. Outside it rained in torrents and he came in for his share of the downpour, although he was said to be under cover. The rain reached him in the guise of dampness through cracks in the walls and as drops from a leaky roof, then all at once, through the doorless opening of the shed, the wind swept a regular deluge in upon him. "I just wonder if anybody thinks I'm glad to have that young one coming?" he muttered, impatiently kicking at a small stick of wood and sending it flying across the yard. "This is about the worst luck that could come to me! When we got married, Katrina and I, it was because we were tired of drudging as hired girl and farmhand for Eric of Falla, and wanted to plant our feet under our own table; but certainly not to raise children!" He buried his face in his hands and sighed heavily. It was plain that the chilly dampness and the long dreary wait had somewhat to do with putting him in a bad humour, but they were by no means the only cause. The real reason for his lament was something far more serious. "I've got to work every day," he reminded himself, "work from early morning till late in the evening; but so far I've at least had some peace nights. Now I suppose that young one will be squalling the whole night long, and I'll get no rest then, either." Whereupon an even worse fear seized him. Taking his hands from before his face he wrung them so hard that the knuckles fairly cracked. "Up to this we've managed to scratch along pretty well, because Katrina, has been free to go out and work, the same as myself, but now she'll have to sit at home and take care of that young one." He sat staring in front of him as hopelessly as if he had beheld Famine itself stalking across the yard and making straight for his hut. "Well!" said he, bringing his two fists down on the chopping-block by way of emphasis. "I just want to say that if I'd only known at the time when Eric of Falla came to me and offered to let me build on his ground, and gave me some old timber for a little shack, if I had only known then that this would happen, I'd have said no to the whole business, and gone on living in the stable-loft at Falla for the rest of my days."

A picture book edition of Selma Lagerlöf's classic Christmas tale.

"I enjoyed The Unit very much...I know you will be riveted, as I was." —Margaret Atwood on Twitter A modern day classic and a chilling cautionary tale for fans of The Handmaid's Tale. Named a BEST BOOK OF THE MONTH by GQ. “Echoing work by Marge Piercy and Margaret Atwood, The Unit is as thought-provoking as it is compulsively readable.” —Jessica Crispin, NPR.org Ninni Holmqvist’s uncanny dystopian novel envisions a society in the not-so-distant future, where women over fifty and men over sixty who are unmarried and childless are sent to a retirement community called the Unit. They’re given lavish apartments set amongst beautiful gardens and state-of-the-art facilities; they’re fed elaborate gourmet meals, surrounded by others just like them. It’s an idyllic place, but there’s a catch: the residents—known as dispensables—must donate their organs, one by one, until the final donation. When Dorrit Weger arrives at the Unit, she resigns herself to this fate, seeking only peace in her final days. But she soon falls in love, and this unexpected, improbable happiness throws the future into doubt.

Charles W. Chesnutt (1858-1932) was an author, essayist and political activist whose works addressed the complex issues of racial and social identity at the turn of the century. Chesnutt's early works explored political issues somewhat indirectly, with the intention of changing the attitudes of Caucasians slowly and carefully. His characters deal with difficult issues of miscegenation, illegitimacy, racial identity and social place. They also expose the anguish of mix-race men and women and the consequences of racial hatred, mob violence, and moral compromise. "Conjure Tales and Stories of the Color Line" is a collection of eighteen short stories that have a deep moral purpose mixed with elements of magic and conjuring. Included in this collection is Chesnutt's first published short story, "The Goophered Grapevine." It is set in "Patesville" (Fayetteville), North Carolina and is a story within a story in which each story is told by a different narrator. Also in this collection among many others is "The Conjurer's Revenge" that depicts Uncle Julius duping John into buying an old, useless horse.