While in exile on St Helena, Napoleon dictated a commentary on the wars of Julius Caesar, later published in 1836. In each chapter he summarized the events of one campaign, then added comments from the standpoint of his own military knowledge. Over the nearly two millennia between Caesar and Napoleon some aspects of warfare had changed, notably the introduction of firearms. But much remained the same: the rate of movement of armies (at the foot pace of horse or man); human muscle power as the main source of energy for construction work; some military techniques, notably bridge construction; as well as the actual territory fought over by Caesar and later by Napoleon. Napoleons commentary thus provides a fascinating and highly authoritative insight into Caesars wars, as well as providing a window into Napoleons own thinking and attitudes. Napoleon in places detects mistakes on the part of Caesar and his enemies, and says what they should have done differently. Remarkably, this is thought to be the first full English translation of Napoleon's work.Napoleon Bonaparte was born to an obscure Corsican family but rose through the ranks of the French army to become Emperor of France, conqueror of most of Europe and acknowledged military genius. He wrote this book while in exile on St Helena.The translator. RA Maguire, is a former civil engineer with a long-standing interest in military and ancient history.

This interdisciplinary volume explains the phenomenon of nationalism in nineteenth-century Europe through the prism of Graeco-Roman antiquity. Through a series of case studies covering a broad range of source material, it demonstrates the different purposes the heritage of the classical world was put to during a turbulent period in European history. Contributors include classicists, historians, archaeologists, art historians and others.

An “engaging, enthusiastic, sympathetic, funny” journey through French history from the New York Times–bestselling author of Absolute Monarchs (The Wall Street Journal). Beginning with Julius Caesar’s conquest of Gaul in the first century BC, this study of French history comprises a cast of legendary characters―Charlemagne, Louis XIV, Napoleon, Joan of Arc, and Marie Antoinette, to name a few―as John Julius Norwich chronicles France’s often violent, always fascinating history. From the French Revolution―after which neither France nor the world would be the same again―to the storming of the Bastille, from the Vichy regime and the Resistance to the end of the Second World War, A History of France is packed with heroes and villains, battles and rebellion—written with both an expert command of detail and a lively appreciation for the subject matter by this “true master of narrative history” (Simon Sebag Montefiore).

This book explores the significance of Julius Caesar to differentperiods, societies and people from the 50s BC through to thetwenty-first century. This interdisciplinary volume explores the significance ofJulius Caesar to different periods, societies and people. Ranges over the fields of religious, military, and politicalhistory, archaeology, architecture and urban planning, the visualarts, and literary, film, theatre and cultural studies. Examines representations of Caesar in Italy, France, Germany,Britain, and the United States in particular. Objects of analysis range from Caesar’s own commentarieson the Gallic wars, through Shakespeare’s Julius Caesar, andimages of Caesar in Italian fascist popular culture, tocontemporary cinema and current debates about Americanempire. Edited by a leading expert on the reception of ancientRome. Includes original contributions by international experts onCaesar and his reception.

For the first time ever, Napoleon's "Chronicles of Caesar's Wars" ("Pr�cis des guerres de C�sar") is available in English.Dictated by Napoleon to Count Marchand, his valet, while in exile on St. Helena, Chronicles of Caesar's Wars explores Caesar's rise, his campaigns in Europe and North Africa, and the plot that killed him. Napoleon, who had a lifelong obsession with Caesar, wrote this book in one of his last acts. The work relaxed him, "tossing a few flowers on the path that was leading to the tomb," as Count Marchand's preface recalls.Napoleon passionately explores Caesar's battles in Gaul and during the Civil War. He concludes each chapter with observations, sometimes providing details, sometimes veering away from praise towards criticism, applying the insights of a military career and a healthy ego to explain what he would have done better. Napoleon ends the book with a remarkable defense of Caesar's dictatorship. He takes apart his assassins' justifications and the fault-finding of "good Plutarch the libeler" with such fervor that one can scarcely believe a gulf of two millennia stood between the two eminent men. In a sense, though, it was also a defense of his own government.Attached to the book are previously untranslated essays in which Napoleon takes on the role of literary critic and philosopher. He criticizes Virgil's Aeneid for butchering Homer's Iliad, and Voltaire for unflatteringly depicting Mohammad, another of Napoleon's heroes. He explores in another essay whether a man has the right to kill himself, an act we now know he had personally attempted.