The Story of Bella Montez begins when she sets out on a journey looking for a place to settle in. She was looking for a place to live a normal life away from sorcery and a relentless powerful witch-hunter. Her wish was to find peace in a place where she would be among good people and a desire to have a family of her own to love...

This story is a continuance about a boy who disappeared in 1926. He time-traveled into the past to the year 1826’... who later found that he had psychic abilities. Ten years later he was able to come back and reunite with his family at the age of 17, in 1937. He promised to return four young lost souls who got lost in the Ruins, who are now in his time. In Juan Aguilar’s new story, his psychic powers kept growing as he ventured into the Supernatural World with the Witch, Maria De La Luz, who helped his sister, to wake up from her coma. He has been learning from a 300 and 50-year-old alchemist who is immortal and was once sought to be a witch. Juan is confused, for him to go to the future he must live forever and become Immortal. He does not want to live forever, he wants to stay in his mortal world and have the power to time travel, but he must travel three times to the past before he can time-travel with his Body, Spirit, and Soul. While Maria prepares Juan to go on a supernatural journey, he must be ready to enter the Book of Bella. Maria will take Juan to the catacomb’s in search of the lost souls, and into the past to the cemetery in the Islands of the Philippines. He found out that for every five years he aged one year, he stays young.

This is a story about witchcraft. In 1926, a six-year-old boy named Juan Aguilar goes on a camping trip with his family to Questa, New Mexico. He runs into a cursed house, and he is mysteriously transported back in time to 1826. He is taken in by a local family, and he slowly starts to discover why this house was cursed, that many other children have suffered the same fate, and ten years later finds his way back to his family in Albuquerque. When he returns home, no one believes his strange story of Bella the witch and the notorious witch hunter, Luciano del Valle. Years later, as an adult, he writes his story of witchcraft in rural New Mexico.

With “soaring, matchless prose,” a Pulitzer Prize winner pens a New York Times bestselling saga of the Montez O’Briens, a rambunctious family of Irish Cuban immigrants comprised of fourteen daughters—and one doggedly masculine son (Publishers Weekly). Irish American Nelson O’Brien fell passionately in love with the poetess Mariela Montez while photographing the ravages of battle in Mariela's native Cuba during the Spanish-American War. After marrying, they moved to the United States to start a new life, settling in a small Pennsylvania town where Nelson took over the Jewel Box Movie Theater. Together, they had a remarkable fifteen children: fourteen daughters and one lone son. In Oscar Hijuelos’s The Fourteen Sisters of Emilio Montez O'Brien, the lives, loves, and tragedies of this sprawling Irish Cuban family unfold. Over the course of a century, each member moves in and out of each other’s lives, traversing Cuba, New York, California, Alaska, and Ireland, while Margarita—the Montez O’Brien’s eldest daughter—ruminates on the nature of femininity, sex, love, and earthly happiness. And as Margarita learns and grows in an overwhelmingly female environment, she can’t help but contrast her experiences with those of Emilio, her intensely masculine brother, whose B-movie career in the 1950s has left him adrift and frustrated, with little hope of success. Lush and gorgeously written, The Fourteen Sisters of Emilio Montez O'Brien is a masterwork by one of America's greatest writers. Reckoning with cultural assimilation and complex family dynamics, the novel elicits tears and laughter while tenderly revealing the bounteous heart and exhilarating adventures of a warm, passionate family. Includes a Reading Group Guide.

THE INSTANT NEW YORK TIMES BESTSELLER! "A mindbender." —Jessica Knoll "Riveting...a winner." —Laura Dave "A knockout." —Mary Kubica From the New York Times bestselling author of The Last Flight comes a twisted con-woman thriller about two women out for revenge—or is it justice? Two women. Many aliases. Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be—a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to hear, and by the time she's done, you've likely lost everything. Kat Roberts has been waiting ten years for the woman who upended her life to return. And now that she has, Kat is determined to be the one to expose her. But as the two women grow closer, Kat's long-held assumptions begin to crumble, leaving Kat to wonder who Meg's true target is. The Lies I Tell is a twisted domestic thriller that dives deep into the psyches and motivations of two women and their unwavering quest to seek justice for the past and rewrite the future. Praise for The Last Flight by Julie Clark: "Thoroughly absorbing...the characters get under your skin." —The New York Times "Highly thrilling." —Entertainment Weekly "You won't be able to put it down." —People.com

Traces the life of the Anglo-Irish woman who recreated herself as Spanish noblewoman Lola Montez and later became the mistress of King Ludwig I of Bavaria

Best known for her appearances in the six Technicolor "Neverland" movies, Maria Montez is a film icon. Growing up as one of ten children in the Dominican Republic, her rise as a film star in the United States seemed unlikely. In 1939, Montez set off on her own to New York City to fulfill her aspirations of movie stardom. Despite having no substantial acting experience, Montez managed to sign with major agent Louis Schurr who helped her secure a contract with Universal Studios before she moved out to Hollywood. Following her arrival in Los Angeles, Montez began cultivating the larger-than-life persona for which she is known. Her beauty, personality, and series of publicity antics, including dramatic restaurant entrances, endeared her to the press. She even created her own fan club—The Montez for Stardom Club. Her ambitious self-promotion bolstered the success she found with her first big lead in Arabian Nights, released in 1943. From then on, the studio referred to her as "The Queen of Technicolor." Author Tom Zimmerman puts Montez's life in historical context, including her role as a cultural icon and a living representation of the United States' Good Neighbor Policy with Latin American countries. With her thick Dominican accent, Montez struggled to make herself intelligible to an American audience. However, unlike some of her Latin contemporaries, she did not present a caricature of her culture or use her accent for comedic purposes, giving her credibility with a Latin American audience. Zimmerman skillfully recounts the story of Montez's fiery ambition and her ascent to Hollywood fame, giving her the opportunity to live on in public memory.