This title covers the years since 1600 and includes the Revolution, slavery and the Civil War, prohibition, World Wars I and II, the Depression and modern times, as well as characters as diverse as George Washington, Abe Lincoln, Theodore Roosevelt, and Ronald Reagan. This book not only reveals the great sweep of US history but also brings you the ideas that dominated American life against a background of cultural events and social achievements.

Featuring over 200 illustrations, this book tells the story of American political cartoons. From the colonial period to contemporary cartoonists like Pat Oliphant and Jimmy Margulies, this title highlights these artists' uncanny ability to encapsulate the essence of a situation and to steer the public mood with a single drawing.

This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.

"The Story of America in Cartoons covers the years since 1600 and includes the Revolution, Slavery and the Civil War, Prohibition, World Wars I and II, The Depression and Modern Times, as well as characters as diverse as George Washington, Abe Lincoln, Theodore Roosevelt and Ronald Reagan. This book not only reveals the great sweep of US history but also brings you the ideas that dominated American life against a background of cultural events and social achievements."--Amazon.com

Animation has been part of television since the start of the medium but it has rarely received unbiased recognition from media scholars. More often, it has been ridiculed for supposedly poor technical quality, accused of trafficking in violence aimed at children, and neglected for indulging in vulgar behavior. These accusations are often made categorically, out of prejudice or ignorance, with little attempt to understand the importance of each program on its own terms. This book takes a serious look at the whole genre of television animation, from the early themes and practices through the evolution of the art to the present day. Examining the productions of individual studios and producers, the author establishes a means of understanding their work in new ways, at the same time discussing the ways in which the genre has often been unfairly marginalized by critics, and how, especially in recent years, producers have both challenged and embraced this "marginality" as a vital part of their work. By taking seriously something often thought to be frivolous, the book provides a framework for understanding the persistent presence of television animation in the American media--and how surprisingly influential it has been.

In an increasingly Manichean geopolitical world, Bendib happens to be both "Us" and "Them," American and Muslim, a walking oxymoron - a "Clash of Civilizations" made flesh. He is the only American political cartoonist with an in-your-face non-Eurocentric perspective, a voice of the voiceless. Distributed to 1,700 small and mid-size newspapers across North America, Bendib's cartoons are the only widely circulated editorial cartoons free of the usual corporate narrative and they offer a radical, indigenous perspective in a visual medium accessible to all. Bendib's cartoons shine a light on such topics as the corrupting influence of money on democracy, African-American and immigrant issues, environmental degradation, labor and class struggles, U.S. imperialism and Zionism, the scapegoating of Arabs, Muslims and other people of color, as well as the complicity of our Orwellian mass media in maintaining the status quo. Bendib's cartoons are very popular with legions of alternative, educated, left-of-center readers (especially in the Bay Area, Los Angeles, New York and campus towns across the USA, as well as much of Canada, the UK and Australia) hungry for humorous voices of dissent and with many forgotten constituencies in this country, which are slowly becoming a majority: African-Americans, Muslims, Arabs, South Asians, Latinos, immigrants of all stripes, worldwide indigenous communities ravenous for edgy humor reflecting their specific concerns. -- Description from http://www.amazon.com (Nov. 3, 2011).