"Wonderful entertainment from first page to last."--Chicago Sunday Tribune A past dispute ... When the irascible Lord Darracott's eldest son dies unexpectedly, the noble family must accept their estranged Yorkshire cousin as heir apparent. They are convinced he will prove to be a sadly vulgar person, but nothing could have prepared the beleaguered family for the arrival of Major Hugo Darracott ... A present deception... His clever and beautiful cousin Anthea is sure there's more to the gentle giant than Hugo's innocent blue eyes and broad Yorkshire brogue would lead one to believe. But even she doesn't guess what he's capable of, until a family crisis arises and only Hugo can preserve the family's honor, leading everybody on a merry chase in the process ... What Readers Say: "What Heyer does best: comedy, engaging characters, and excellent writing." "A very enjoyable romp with a positively masterly denouement." "Georgette Heyer reaches the pinnacle of her skill with this book." "Among the best of Heyer's Regency novels ? very, very funny." "The pitch-perfect comedy, as the Ajax takes the reins of the family, is fantastic."

Graphic true-life spy thriller about the CIA mission that overthrew Iran’s democracy The year is 1953. As the value of oil skyrockets, global power brokers begin to take interest in the political regimes of the Middle East. British agents have controlled Iranian oil exports for a generation, but the Shah’s hold on peace is shaky as a charismatic leader enters the scene. Mohammed Mossadegh’s calls to overthrow the elites resonates among the people, and as rumors circulate of an impending revolt, American, British and Persian agents hatch plans of overthrow. Deals are made behind closed doors. Every actor has a stake. Iran’s oil will flow, by any means necessary. Operation Ajax is the story of the CIA coup that removed the democratically elected Mossadegh and reinstated the monarchy. Introduced by New York Times–bestselling author of All the Shah’s Men, Stephen Kinzer, Operation Ajax is a thrilling tale of real-life intrigue.

This book attempts to come to grips with a set of widely ranging but connected problems concerning myths: their relation to folktales on the one hand, to rituals on the other; the validity and scope of the structuralist theory of myth; the range of possible mythical functions; the effects of developed social institutions and literacy; the character and meaning of ancient Near-Eastern myths and their influence on Greece; the special forms taken by Greek myths and their involvement with rational modes of thought; the status of myths as expressions of the unconscious, as allied with dreams, as universal symbols, or as accidents of primarily narrative aims. Almost none of these problems has been convincingly handled, even in a provisional way, up to the present, and this failure has vitiated not only such few general discussions as exist of the nature, meanings and functions of myths but also, in many cases, the detailed assessment of individual myths of different cultures. The need for a coherent treatment of these and related problems, and one that is not concerned simply to propagate a particular universalistic theory, seems undeniable. How far the present book will satisfactorily fill such a need remains to be seen. At least it makes a beginning, even if in doing so it risks the criticism of being neither fish nor fowl. Sociologists and folklorists may find it, from their specialized viewpoints, a little simplistic in places; and a few classical colleagues will not forgive me for straying far beyond Greek myths, even though these can hardly be understood in isolation or solely in the light of studies in cult and ritual. Others may find it less easy than anthropologists, sociologists, historians of thought or students of French and English literature to accept the relevance of Levi-Strauss to some of these matters; but his theory contains the one important new idea in this field since Freud, it is complicated and largely untested, and it demands careful attention from anyone attempting a broad understanding of the subject. The beliefs of Freud and Jung, on the other hand, are a more familiar element in the situation and have given rise to an enormous secondary literature, much of it arbitrary and some of it absurd. The author has tried to isolate the crucial ideas and subject them to a pointed, if too brief, critique; so too with those of Ernst Cassirer.

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.

For Greek myth fans, those who can’t get enough of the D'Aulaires' Book of Greek Myths, and readers who have aged out of Rick Riordan, this classroom staple and mythology classic is perfect for learning about the ancient myths! As the gods and goddesses of Olympus scheme, the ancient world is thrown into turmoil when Helen, the most beautiful woman in all of Greece, is stolen away by her Trojan love. Inflamed by jealousy, the Greek king seeks lethal vengeance and sends his black war ships to descend on the city of Troy. In the siege that follows, history’s greatest heroes, from Ajax to Achilles to Odysseus, are forged in combat, and the brutal costs of passion, pride, and revenge must be paid. In the end, the whims of the gods, the cunning of the warriors, and a great wooden horse will decide who emerges victorious. Homer's epic poem, The Iliad, is one of the greatest adventure stories of all time and Rosemary Sutcliff's retelling of the classic saga embodies all of the astonishing drama, romance, and intrigue of ancient Greece. Don’t miss The Wanderings of Odysseus, the companion to Black Ships Before Troy, and follow Odysseus on his adventure home. This book has been selected as a Common Core State Standards Text Exemplar (Grades 6-8, Stories) in Appendix B.