The western, one of Hollywood’s great film genres, has, surprisingly, enjoyed a revival recently in Asia and in other parts of the world, whilst at the same time declining in America. Although the western is often seen as an example of American cultural dominance, this book challenges this view. It considers the western from an Asian perspective, exploring why the rise of Asian westerns has come about, and examining how its aesthetics, styles and politics have evolved as a result. It analyses specific Asian Westerns as well as Westerns made elsewhere, including in Australia, Europe, and Hollywood, to demonstrate how these employ Asian philosophical and mythical ideas and value systems. The book concludes that the western is a genre which is truly global, and not one that that is purely intrinsic to America.

When trust fund baby-turned-waitress Allie and her friends accidentally open a Door to Hell in the basement of Sally's Diner, they don't realize the havoc it will wreak on their Brooklyn neighborhood. Of course, the upside to murder-happy demons coming through the Door all the time is that Allie gets her own sexy and mysterious demon hunter: the dark-eyed, leather-clad, Stetson-wearing Ryan.Ryan teaches Allie everything he knows about fighting the creatures of the underworld-but refuses to give in to the sexual tension that simmers between them. Allie has almost given up on taking her relationship with Ryan to the next level when there's a surge in demonic activity... and the Door disappears.Now Allie and Ryan have to travel through Hell, literally, to try to stop Hell from taking over the Earth. They may not survive the trip, but Allie is about to discover something very important: Mortal peril is a total turn-on.

Vimal never wanted to get involved in the heist. Now that he's been roped in, he just hopes he can finish the job without getting caught. His partners have other plans, however, and soon Vimal finds himself playing a deadly game with the kingpin of the Punjab underworld... First published in 1977 and reprinted over fifteen times, Painsath Lakh ki Dakaiti is the fourth book in Surender Mohan Pathak's hugely popular 'Vimal' series, the book that launched a whole genre of anti-hero Hindi crime fiction. This is the first time SMP's work has been translated into English.