Bestselling author Patti Callahan Henry is back with a powerful novel about the stories we tell and the people we trust. Eve and Cooper Morrison are Savannah's power couple. They're on every artistic board and deeply involved in the community. She owns and operates a letterpress studio specializing in the handmade; he runs a digital magazine featuring all things southern gentlemen. The perfect juxtaposition of the old and the new, Eve and Cooper are the beautiful people. The lucky ones. And they have the wealth and name that comes from being part of an old Georgia family. But things may not be as good as they seem. Eve's sister, Willa, is staying with the family until she gets "back on her feet." Their daughter, Gwen, is all adolescent rebellion. And Cooper thinks Eve works too much. Still, the Morrison marriage is strong. After twenty-one years together, Eve and Cooper know each other. They count on each other. They know what to expect. But when Cooper and Willa are involved in a car accident, the questions surrounding the event bring the family close to breaking point. Sifting between the stories—what Cooper says, what Willa remembers, what the evidence indicates—Eve has to find out what really happened. And what she's going to do about it. A riveting story about the power of truth, The Stories we Tell will open your eyes and rearrange your heart.

A collection of twenty-six of the finest stories by the finest women writers to come out of the U.S. and Canada in the past fifty years. Organized by publication date, authors include Eudora Welty, Flannery O'Connor, Joyce Carol Oates, Ann Beattie, Margaret Atwood, Alice Munro, Anne Tyler, Tama Janowitz, Sandra Cisneros, Mary Gordon, and Alice Walker.

The average American watches 5 hours of TV every day. Collectively, we spend roughly $30 billion on movies each year. Simply put, we're entertainment junkies. But can we learn something from our insatiable addiction to stories? Mike Cosper thinks so. From horror flicks to rom-coms, the tales we tell and the myths we weave inevitably echo the narrative underlying all of history: the story of humanity's tragic sin and God's triumphant salvation. This entertaining book connects the dots between the stories we tell and the one, great Story—helping us better understand the longings of the human heart and thoughtfully engage with the movies and TV shows that capture our imaginations.

Retold by Brother Tommy Welchel of the Pisgah Christ Faith Mission, these are the stories of people who participated in the Pentecostal Azusa Street Revival of 1906-1910.

Published to coincide with the fifteenth anniversary of 9/11, this book emphasizes the highlights of the museum’s interpretation of this somber day. This book is the definitive, official companion volume to the National September 11 Memorial & Museum. It provides visitors with a lasting record of their experience at the museum, and tells the story of September 11 through essays on and photographs of the installations and thoughtfully curated artifacts that serve as touchstones to the day and its aftermath. It also provides a behind-the-scenes glimpse—through photographs and planning concepts—into the evolution of the museum from idea to finished entity. By maximizing the visual impact through the innovative use of photography and design, the book immerses the reader in the visceral emotion of both the museum and the day—September 11—itself. No Day Shall Erase You offers an authoritative narrative of 9/11, as it is presented in the National September 11 Memorial & Museum, and as told by Alice M. Greenwald, the museum’s director, and other key staff who planned and built the museum. Focusing on the historic impact of the event, No Day Shall Erase You recognizes the central importance 9/11 has in America’s national memory, as well as putting the day into context fifteen years later.

Few beyond the insider realize that museums own millions of objects the public never sees. In Lost in the Museum, Nancy Moses takes the reader behind the Oemployees onlyO doors to uncover the stories buried—along with the objects—in the crypts of museums, historical societies, and archives. Moses discovers the actual birds shot, stuffed, and painted by John James Audubon, AmericaOs most beloved bird artist; a spear that abolitionist John Brown carried in his quixotic quest to free the slaves; and the skull of a prehistoric Peruvian child who died with scurvy. She takes the reader to Ker-Feal, the secret farmhouse that Albert Barnes of the Barnes Foundation filled with fabulous American antiques and that was then left untouched for more than fifty years. Weaving the stories of the object, its original owner, and the often idiosyncratic institution where the object resides, the book reveals the darkest secret of the cultural world: the precarious balance of art, culture, and politics that keep items, for decades, lost in the museum.

Throughout history we have told ourselves stories to try and make sense of our place in the universe. Richard Holloway takes us on a personal, scientific and philosophical journey to explore what he believes the answers to the biggest of questions are. He examines what we know about the universe into which we are propelled at birth and from which we are expelled at death, the stories we have told about where we come from, and the stories we tell to get through this muddling experience of life. Thought-provoking, revelatory, compassionate and playful, Stories We Tell Ourselves is a personal reckoning with life’s mysteries by one of the most important and beloved thinkers of our time.