Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.

John Stone, a man so wealthy that in the years before World War One he was able to manipulate markets, industries and indeed whole countries and continents, has been found dead in mysterious circumstances. His beautiful young widow commissions a journalist to carry out an unusual bequest in his will but as he begins his research he soon discovers a story far more complex than he could have ever imagined... As the story moves backwards through time, from London in 1909 to Paris in 1809, before concluding in Venice in 1867, the mystery of John Stone's life and loves begins to unravel. The result is a spellbinding novel that is both a quest for the truth, a love story that spans decades and a compelling murder mystery.

A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"More than simply a survey of an ancient city's most significant buildings, The Stones of Venice first published in three volumes between 1851 and 1853 is an expression of a philosophy of art, nature, and morality that goes beyond art history, and has inspired such thinkers as Leo Tolstoy, Marcel Proust, and Mahatma Gandhi. Volume III, which looks at Venetian buildings of the Early, Roman, and grotesque Renaissance, provides an analysis of the transitional forms of Arabian and Byzantine architecture while tracing the city s spiritual and architectural decline. Unabridged, and containing Ruskin s original drawings, this guide to the moral, spiritual, and aesthetic implications of architecture is a treasure for students and scholars alike. The preeminent art critic of his time, British writer JOHN RUSKIN (1819 1900) had a profound influence upon European painting, architecture, and aesthetics of the 19th and 20th centuries. His immense body of literary works include Modern Painters, Volume I IV (1843 1856); The Seven Lamps of Architecture (1849); Unto This Last (1862); Munera Pulveris (1862 3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84)."