Infusing her sensibility into every detail—from the Limoges vases in the chintz bedroom to the crystal-trimmed candelabra in the salon—Carrie Walter Stettheimer (American, 1869–1944) wove together the fashion and style of New York's high society in the early twentieth century to create one of the finest dollhouses in the world. Stettheimer worked on the twelve-room dollhouse for nearly two decades, creating many of the furnishings and decorations by hand. Styles of decoration vary from room to room, yet the wallpapers, furniture, and fixtures are all characteristic of the period following World War I. The result is a magnificent work of art, now in the permanent collection of the Museum of the City of New York.What may be the most astounding aspect of the Stettheimer Dollhouse is its one-of-a-kind art gallery, featuring miniature works from renowned avant-garde artists of the 1920s. Along with her mother and two sisters—Florine, a painter whose works are in many major museum collections, and Ettie, a writer—Stettheimer hosted grand soirées attended by contemporary artists, including Alexander Archipenko, Marcel Duchamp, and Gaston Lachaise, who presented her with miniature works for her dollhouse.The Stettheimer Dollhouse showcases all the works created especially for the dollhouse, including Duchamp's three-inch version of Nude Descending a Staircase. Each artist in the collection is profiled, while descriptions and color photographs of each room in the dollhouse offer an intimate tour of this delightful masterpiece.

A new look at the art of one of the most charming and idiosyncratic personalities of early 20th-century New York Florine Stettheimer (1871-1944) was a New York original: a society lady who hosted an avant-garde salon in her Manhattan home, a bohemian and a flapper, a poet, a theater designer, and above all an influential painter with a sharp satirical wit. Stettheimer collaborated with Gertrude Stein and Virgil Thomson, befriended (and took French lessons from) Marcel Duchamp, and was a member of Alfred Stieglitz and Georgia O'Keeffe's artistic and intellectual circle. Beautifully illustrated with 150 color images, including the majority of the artist's extant paintings, as well as drawings, theater designs, and ephemera, this volume also highlights Stettheimer's poetry and gives her a long overdue critical reassessment. The essays published here--as well as a roundtable discussion by seven leading contemporary female artists--overturn the traditional perception of Stettheimer as an artist of mere novelties. Her work is linked not only to American modernism and the New York bohemian scene before World War II but also to a range of art practices active today. Flamboyant and epicurean, she was an astute documenter of New York and parodist of her social milieu; her highly decorative scenes borrowed from Surrealism and contributed to the beginnings of a feminist aesthetic.

The unique dimensions make this book a miniature dollhouse. The outside hard cover with the brick house opens in the center like many dollhouses to reveal the ornate interior of the book. On the pages inside, the hundreds of stunning pictures show every detail of the most amazing dollhouses from around the world. This striking package will be irresistible to collectors and dollhouse fanatics. Covering the gamut of historical periods and international designs, each two-page spread explores a select architectural style from a medieval castle to a space-age apartment. Examples of miniature businesses and stores from bakeries to butcher shops to corporate offices offer something for every type of doll house enthusiast, young and old. Photographs showcase both the exteriors, interiors and the dolls themselves. The book focuses on the life-like details that delight dollhouse devotees-from running faucets to cut marks on an inch-tall chopping block to leather-bound books with pages of flawlessly miniscule text. Descriptions of every house and all its hidden secrets accompany each spread.

Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves

Thomas the Tank Engine. Hot Wheels. Mike Mulligan and His Steam Shovel. Richard Scarry’s Cars and Trucks and Things That Go. Kids’ fascination with vehicles is insatiable. In Project Kid: Crafts That Go!, that excitement is translated into more than 60 inventive craft projects for parents to make with and for their children. The book is organized into seven chapters: City, Rails, Sky, Space, Water, Country, and Dirt. There are police cars and ice cream trucks; circus trains and submarines; helicopters, rocket ships, cement mixers, and school buses. And because the car-obsessed kid doesn’t just want a new vehicle to play with—he wants a racetrack, his very own driver’s license, maybe even a child-sized gas station—each chapter includes not only toys but also thematic clothing, decor, accessories, and more. Projects feature clear instructions and step-by-step photographs wherever they are needed, easy for both kids and non-crafty adults to understand.