Designed to awaken the imagination in relationship to the stars as a companion to the contemporary scientific approach to our celestial environment, The Star Tales of Mother Goose Includes traditional Mother Goose Nursery Rhymes that the author and illustrator have connected to the constellations of the night sky. Rich with original illustrations and their own additional whimsical rhymes, the book introduces basic astronomical concepts and the history of each rhyme, as well as the history of Mother Goose herself. Here you will find easy-to-use sky maps, a key for finding the stars, and how they are related to the corresponding Mother Goose rhymes. The book is suitable for children and designed for adults. Sixpence, Hey Diddle Diddle, Bo Peep, Boy Blue, Humpty Dumpty and more are found here on the page, carousing beneath a sky full of stars. From the preface: There are few things more delightful than finding your way through the night sky than by whimsy and rhyme and once upon a time.

A spectacular menagerie of seven classic favourites tales from Charles Perrault in one beautiful volume, re-told and illustrated by Val Biro. Gold foiled, matt laminated cover with spot UV on the illustrations gives an extra special feel. A perfect gift.

A stunning and picture book reissue of the “brilliant” (The New York Times Book Review) classic Mother Goose collection of over 300 rhymes illustrated by Caldecott Medal winner Arnold Lobel. This treasury of 302 timeless rhymes includes both favorite and less familiar verses that are the foundation of any child’s language development, such as “This little pig went to market” and “There was an old woman who lived in a shoe.” In a starred review, School Library Journal said this gorgeous collection was “brimming over with energy…distinguished by abundant humor and a rich variety of moods and styles.”

In this anthology, 20 authors explore the dark and hidden meanings behind some of the most beloved Mother Goose nursery rhymes through short story retellings. The dark twists on classic tales range from exploring whether Jack truly fell or if Jill pushed him instead to why Humpty Dumpty, fragile and alone, sat atop so high of a wall. The authors include Nina Berry, Sarwat Chadda, Leigh Fallon, Gretchen McNeil, and Suzanne Young.

Mother Goose Refigured presents annotated translations of Charles Perrault’s 1697 fairy tales that attend to the irony and ambiguity in the original French and provide a fresh take on heroines and heroes that have become household names in North America. Charles Perrault published Histoires ou Contes du temps passé ("Stories or Tales of the Past") in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Translating the original Histoires ou Contes means grappling not only with the strangeness of seventeenth-century French but also with the ubiquity and familiarity of plots and heroines in their famous English personae. From its very first translation in 1729, Histoires ou Contes has depended heavily on its English translations for the genesis of character names and enduring recognition. This dependability makes new, innovative translation challenging. For example, can Perrault's invented name "Cendrillon" be retranslated into anything other than "Cinderella"? And what would happen to our understanding of the tale if it were? Is it possible to sidestep the Anglophone tradition and view the seventeenth-century French anew? Why not leave Cinderella alone, as she is deeply ingrained in cultural lore and beloved the way she is? Such questions inspired the translations of these tales in Mother Goose Refigured, which aim to generate new critical interest in heroines and heroes that seem frozen in time. The book offers introductory essays on the history of interpretation and translation, before retranslating each of the Histoires ou Conteswith the aim to prove that if Perrault's is a classical frame of reference, these tales nonetheless exhibit strikingly modern strategies. Designed for scholars, their classrooms, and other adult readers of fairy tales, Mother Goose Refigured promises to inspire new academic interpretations of the Mother Goose tales, particularly among readers who do not have access to the original French and have relied for their critical inquiries on traditional renderings of the tales.

Traditional Mother Goose rhymes.