American Dream or American Nightmare? Norman Spinrad describes The Star-Spangled Future: "America is something new under the sun. not so much a nation at all as a precog flash of the future of the species . . . I wrote believing that I was simply writing disconnected science fiction stories from whatever came into my head . . . And they all turned out to be about America, the leading edge of all possible futures unfolding around us . . . After all, that was what was coming into my head, that's the mother lode of science fiction realities - the American fusion plasma of which we are creatures - and all we have to do is keep ourselves open to it . . . that's my definition of science fiction. We have seen the future and it is us."

" In September, 2014, Baltimore and the United States will mark the bicentennial of the event that inspired "The Star-Spangled Banner." But Francis Scott Key's poem, set to a British drinking song, has not always been our anthem, nor even especially popular. Aiming at a broad readership, Ferris examines the history of the song through the generations that followed the War of 1812, the kinds of Americans who rallied behind the song, and the successful lobbying effort that in 1933 convinced Congress to adopt the music and four stanzas as our official national anthem. Since then many citizens have called for its replacement with something less warlike; people quarrel over its apparent militarism and also difficulty level. Politically, Ferris finds, the song has an interesting and somewhat tortured story. Are we the only nation on earth with a controversial national anthem?"--Provided by publisher.

Written by the candidate's late father Richard J. Kerry and updated with a foreword by John Kerry's biographer and an afterword by an Associate Editor at The New Republic, the book is a unique look at the political thought of John Kerry's key influence.

For 240 years, most Americans have identified our country with its government as the embodiment of "Freedom" and the nation itself. Take away the Constitution, Congress, and presidential elections, and not only liberty but the United States themselves would vanish. Or would they? We have a government that imposes social change from above at breakneck speed, while each presidential election seems to offer even more pathetic choices than the one before. Many are scratching their heads and wondering - not just "where are we going?" but "how did we get here?" Is our governmental system itself - the leading symbol of the American way of life - heading for a meltdown? And if it is, what - if anything - shall be left of our country? Star-Spangled Crown is a book that comes to us from over a century in the future. That feared meltdown has already occurred - but these United States survived the loss of the presidency. Erected on the ruins of our current regime, a Monarchy has emerged; contrary to all of our 21st century notions, it is a thoroughly American institution. How it functions - as and where all governments, including our present one must function - is the subject of the book. Star-Spangled Crown is not a call for radical change. It is an invitation for serious thought about the realities of civil life that we as a people have spent more than two centuries ignoring or avoiding at our ultimate peril. What values shall our society express? Who makes those decisions? By what right do they do so? What is America really - or, as our 22nd century author might say, what are the United States? Star-Spangled Crown offers one set of answers from a possible future - but above all, it calls on you to ask the questions in the present.

This 1979 American Book Award nominee contains five interlocked stories that tell of the slave Gorgik in a long-ago land, and a masked swordswoman narrates an astonishing feminist creation myth.

Set against the political and social upheavals of the 1960s, A Room Where the Star-Spangled Banner Cannot Be Heard tells the story of Ben Isaac, a blond-haired, blue-eyed American youth living with his father at the American consulate in Yokohama. Chafing against his father's strict authority and the trappings of an America culture that has grown increasingly remote, Ben flees home to live with Ando, his Japanese friend. Refusing to speak English with Ben, Ando shows the young American the way to Shinjuku, the epicenter of Japan's countercultural movement and the closest Ben has ever felt to home. From the vantage point of a privileged and alienated "outsider" (gaijin), Levy's narrative, which echoes events in his own life, beautifully captures a heady, eventful moment in Japanese history. It also richly renders the universal struggle to grasp the full contours of one's identity. Wandering the streets of Shinjuku, Ben can barely decipher the signs around him or make sense of the sounds reaching his ears. Eventually, the symbols and sensations take root, and he becomes one with Japanese language and culture. Through his explorations, Ben breaks free from English and the constraints of being a gaijin. Levy's coming-of-age novel is an eloquent elegy to a lost time.