Mary Pickersgill and the Star-Spangled Banner tells the story of how a young widow in the summer of 1813 made two large flags for Fort McHenry in Baltimore. The young United States was at war with Great Britain, and Fort McHenry prepared for an attack from the British. All was ready at the fort except for a proper set of flags. George Armistead, commander at Fort McHenry, needed the hand sewn flags in a hurry giving Mary Pickersgill just six weeks to produce them. This book will explain how Mary Pickersgill learned to make flags, where she obtained the four hundred yards of fabric, woven only in England, to make the flag, how she organized a small work force of young women, including a free African-American indentured servant, to sew the flags and where she found a workplace to make such large flags. Surprisingly, Mary Pickersgill did not consider sewing the Star-Spangled Banner the greatest accomplishment of her life. Under her leadership, a Baltimore charitable organization helped poor widows find work to support their families. The organization raised the funds to build the Home for Aged Widows that opened with great publicity and fanfare six years before Mary Pickersgill died. The Pickersgill Retirement Home in Towson has its roots in Mary Pickersgills crowning achievement of her lifetime. The stirring history of Mary Pickersgills family is included in the book and helps explain Mary Pickersgills drive and determination to produce the flags for Fort McHenry when the city of Baltimore was under imminent attack. The book also describes how the Star-Spangled Banner became the most important object in the Smithsonians vast collection. In addition, the book recounts the history of the Star-Spangled Banner Flag House Association that preserved the little house on the corner of Pratt and Albemarle Streets as a museum to honor Mary Pickersgills legacy.

The definitive account of the lynching of twenty-three-year-old Matthew Williams in Maryland, the subsequent investigation, and the legacy of "modern-day" lynchings. On December 4, 1931, a mob of white men in Salisbury, Maryland, lynched and set ablaze a twenty-three-year-old Black man named Matthew Williams. His gruesome murder was part of a wave of silent white terrorism in the wake of the stock market crash of 1929, which exposed Black laborers to white rage in response to economic anxieties. For nearly a century, the lynching of Matthew Williams has lived in the shadows of the more well-known incidents of racial terror in the deep South, haunting both the Eastern Shore and the state of Maryland as a whole. In The Silent Shore, author Charles L. Chavis Jr. draws on his discovery of previously unreleased investigative documents to meticulously reconstruct the full story of one of the last lynchings in Maryland. Bringing the painful truth of anti-Black violence to light, Chavis breaks the silence that surrounded Williams's death. Though Maryland lacked the notoriety for racial violence of Alabama or Mississippi, he writes, it nonetheless was the site of at least 40 spectacle lynchings after the abolition of slavery in 1864. Families of lynching victims rarely obtained any form of actual justice, but Williams's death would have a curious afterlife: Maryland's politically ambitious governor Albert C. Ritchie would, in an attempt to position himself as a viable challenger to FDR, become one of the first governors in the United States to investigate the lynching death of a Black person. Ritchie tasked Patsy Johnson, a member of the Pinkerton detective agency and a former prizefighter, with going undercover in Salisbury and infiltrating the mob that murdered Williams. Johnson would eventually befriend a young local who admitted to participating in the lynching and who also named several local law enforcement officers as ringleaders. Despite this, a grand jury, after hearing 124 witness statements, declined to indict the perpetrators. But this denial of justice galvanized Governor Ritchie's Interracial Commission, which would become one of the pioneering forces in the early civil rights movement in Maryland. Complicating historical narratives associated with the history of lynching in the city of Salisbury, The Silent Shore explores the immediate and lingering effect of Williams's death on the politics of racism in the United States, the Black community in Salisbury, the broader Eastern Shore, the state of Maryland, and the legacy of "modern-day lynchings."

The Story Of How The American National Anthem Was Composed During The War Of 1812 By Francis Scott Key.

Mary Pickersgill and the Star-Spangled Banner tells the story of how a young widow in the summer of 1813 made two large flags for Fort McHenry in Baltimore. The young United States was at war with Great Britain, and Fort McHenry prepared for an attack from the British. All was ready at the fort except for a proper set of flags. George Armistead, commander at Fort McHenry, needed the hand sewn flags in a hurry giving Mary Pickersgill just six weeks to produce them. This book will explain how Mary Pickersgill learned to make flags, where she obtained the four hundred yards of fabric, woven only in England, to make the flag, how she organized a small work force of young women, including a free African-American indentured servant, to sew the flags and where she found a workplace to make such large flags. Surprisingly, Mary Pickersgill did not consider sewing the Star-Spangled Banner the greatest accomplishment of her life. Under her leadership, a Baltimore charitable organization helped poor widows find work to support their families. The organization raised the funds to build the Home for Aged Widows that opened with great publicity and fanfare six years before Mary Pickersgill died. The Pickersgill Retirement Home in Towson has its roots in Mary Pickersgill's crowning achievement of her lifetime. The stirring history of Mary Pickersgill's family is included in the book and helps explain Mary Pickersgill's drive and determination to produce the flags for Fort McHenry when the city of Baltimore was under imminent attack. The book also describes how the Star-Spangled Banner became the most important object in the Smithsonian's vast collection. In addition, the book recounts the history of the Star-Spangled Banner Flag House Association that preserved the little house on the corner of Pratt and Albemarle Streets as a museum to honor Mary Pickersgill's legacy.

Publisher Description

The first comprehensive history of America’s controversial national anthem and how it evolved from an English barroom ballad into a patriotic hit. Nearly every American knows The Star-Spangled Banner, the national anthem of the United States of America. Yet many people dislike the song, contend that it glorifies militarism, and question its suitability as the musical embodiment of nationhood. Even professional vocalists have trouble singing the multi-octave melody and remembering the words. So why in 1931 did Congress designate it as the official national anthem, more than a century after Francis Scott Key put pen to paper? Filled with fascinating, little-known facts drawn from a variety of primary sources, Star-Spangled Banner provides the first narrative history of this controversial song, which turns 200 years old in 2014. Marc Ferris’s lively account, which traces the evolution of the song’s instant popularity as well as its use and abuse by Americans of different political stripes, also explains the changing rituals surrounding the song, including the practice of standing—with hats removed and hand held over the heart—during public performances. This entertaining book will appeal to patriots of all persuasions, along with sports fans, musicians, veterans, history buffs, and anyone who has ever struggled to hit the high notes in the land of the free and the home of the brave.