Completely revised, updated and expanded catalog available for the first time in 30 years, including Undivided India Prior to 1947 AD. Includes issues from the Mughal Empire, Independent Kingdom and Princely States; Danish India, Dutch India, French India, British India, Portuguese India as well as Republic of India issues. Paper money of India is also included.

Vols. 24-52 include the Proceedings of the American Numismatic Association Convention, 1911-39.

In this lively book, Alan L. Karras traces the history of smuggling around the world and explores all aspects of this pervasive and enduring crime. Through a compelling set of cases drawn from a rich array of historical and contemporary sources, Karras shows how smuggling of every conceivable good has flourished in every place, at every time. Significantly, Karras draws a clear distinction between smugglers and their more popular criminal cousins, pirates, who operated in the open with a type of violence that was nearly always shunned by smugglers. Explaining the divergence between the two groups, the book illustrates both crossovers and differences. At the same time, states and empires tolerated smuggling since eliminating smuggling was a sure route to a disgruntled and disorderly citizenry, and governments required order to remain in power. As a result, smuggling allowed individuals to negotiate an unstated social contract that minimized the role of government in their lives. Thus, Karras provocatively argues that smuggling was, and is, tightly woven into an uneasy relationship among governments, taxation, citizenship, and corruption. Bringing smugglers and smuggling to life, this book provides a fascinating exploration for all readers interested in crime and corruption throughout modern history.

‘Genealogy, Archive, Image’ addresses the ways in which history and tradition are ‘reinvented’ through text, memory and painting. It examines the making of dynastic history in the kingdom of Jhalavad, situated in Gujarat, western India, over the longue durée, from the eleventh to twentieth centuries. The essays critique a collection of contemporary miniature paintings, which chart the dynastic history of Jhalavad’s rulers and the textual and ethnographic archive upon which they are based. A multidisciplinary work, it crosses the boundaries of history, anthropology, folklore and mythology, gender, musicology, literary studies, and visual, film and digital media. The essays draw upon a variety of voices, spanning various religious and ethnic communities, including Hindus, Muslims, Jains, Parsees and Siddhi Africans, and caste identities, such as that of the bard, ballad singer, king, priest, court chronicler, soldier, mason and drummer.