This book covers the spectrum of significant filmmakers from Altman to Armstrong, Kazan to Kurosawa, Truffaut to Tarantino. With entries written by distinguished critics such as Dudley Andrew, Jeanine Basinger, David Bordwell, Raymond Durgnat, Roger Manvell, Gerald Mast, and Robin Wood, it will be a standard reference tool for many years to come. In line with Sarris's auteur theory of directing, the contributors consider the ways in which directors put their personal stamp on their work.

Funny yet down-to-earth, honest yet full of exaggeration, actor Walter Matthau (1920-2000) will always occupy a place in America's heart as one of the great comic talents of his generation. Born Walter Matuschanskayasky into Jewish tenements on New York's Lower East Side, he was a child actor in New York Yiddish theater, and later a World War II Air Force radioman-gunner. He paid dues for ten years on Broadway, in summer stock, and on television before landing his film debut The Kentuckian in 1955. By the time of his 1968 casting as cantankerous but lovable slob Oscar Madison in the film version of Neil Simon's The Odd Couple, Matthau had won major Hollywood stardom. Based on dozens of interviews and extensive research, this book covers the breadth of his often-complicated personal life and multi-faceted career, including his unforgettable performances in such films as The Fortune Cookie, A Guide for the Married Man, Plaza Suite, Charley Varrick, The Taking of Pelham One Two Three, The Sunshine Boys, The Bad News Bears, California Suite, and Grumpy Old Men.

Moreover, Phillips seeks to represent the various trends in filmmaking that have evolved over the years, such as American film noir, which is included in the discussion of Alfred Hitchcock's films, and British social realism, which is included in the discussion of Bryan Forbes's films."--BOOK JACKET.

In The Epic in Film, Constantine Santas argues that "blockbuster" and "artistic" are not mutually exclusive terms and, perhaps more importantly, that epic film is an inherently profound genre in its ability to tap into the dreams and fears of a nation, and sometimes those of the human race. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential hopeful borrow the phrase "Read my lips" from Clint Eastwood's Dirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Whether you love Gone with the Wind and hate Troy, find Akira Kurosawa's films brilliant or marvel over the depth of the Matrix trilogy, if you're a film buff, you will want to read this first book-length treatment of the epic-a wildly popular, infinitely fascinating, and critically underappreciated genre.

"From Andy Warhol's Gold Marilyn Monroe to Maya Ying Lin's Vietnam Veterans' Memorial in Washington, D.C., and from a photographic portrait by Robert Mapplethorpe to the Porsche 911 automobile, each of the 200 works featured within have achieved the status of "classic" or "masterpiece."" "International in scope, St. James Modern Masterpieces presents an exciting overview of the finest in art, architecture, photography and design created since 1945. Experts in each of the four disciplines, led by distinguished art and architecture scholar Udo Kultermann, discuss the works at length, assessing the importance of the pieces in their artistic and cultural context."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Meet the Mertzes is an expansive dual biography chronicling the lives of two of America's most popular situation-comedy actors, William Frawley and Vivian Vance, who portrayed Fred and Ethel Mertz on I Love Lucy. This meticulously researched book contains interviews with Frawley's and Vance's colleagues, friends, and relatives, and explores their personal and professional lives before, during, and after I Love Lucy. With a complete filmography and videography of each, Meet the Mertzes finally sets the record straight on the lives and legacies of these compelling stars who detested one another. You'll learn about: -Vance's successful Broadway career prior to I Love Lucy -Frawley's vaudevillian roots and his passion for baseball -Vance's nervous breakdown after the collapse of her first marriage -Frawley's drinking and carousing -Lucille Ball's caustic relationship with both of her costars -Vance's hatred of being known to the world as Ethel Mertz

In this volume, David Lean's now undervalued epics--The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India--are restored to the elevated esteem they once held.