A foundational work on historical and social studies of quantification What accounts for the prestige of quantitative methods? The usual answer is that quantification is desirable in social investigation as a result of its successes in science. Trust in Numbers questions whether such success in the study of stars, molecules, or cells should be an attractive model for research on human societies, and examines why the natural sciences are highly quantitative in the first place. Theodore Porter argues that a better understanding of the attractions of quantification in business, government, and social research brings a fresh perspective to its role in psychology, physics, and medicine. Quantitative rigor is not inherent in science but arises from political and social pressures, and objectivity derives its impetus from cultural contexts. In a new preface, the author sheds light on the current infatuation with quantitative methods, particularly at the intersection of science and bureaucracy.

In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.

Excerpt from Light Come, Light Go: The passion for speculation which, throughout all ages, has captivated the great bulk of humanity, would seem to be an innate characteristic of mankind. It assumes various forms and guises which often deceive those over whom it exercises its sway, and becomes in numberless cases a veritable obsession, causing its victims to devote the whole of their time, thoughts, and money—sometimes even their lives—to its service. Devotees of the simpler forms of gambling, such as are to be procured at the card-table and on the race-course, are often looked down upon by people who are themselves under the sway of other insidious, if more reputable, modes of tempting fortune. For all speculation, whether it be in pigs or wheat, stocks and shares, race-horses or cards, is in essence the same—its main feature being merely the desire to obtain “something for nothing,” or in other words to acquire wealth without work. Gambling, of no matter what kind, is thus a conscious and deliberate departure from the general aim of civilised society, which is to obtain proper value for its money. The gambler, on the other hand, receives either a great deal more than he gives or nothing at all.