Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

Through stories, quotes and images, this book is a guide to deeper enjoyment and appreciation of visual art, the spiritual journey and the connections between the two. It has stunningly beautiful colour reproductions of art across time, place and culture.

Examines the role of the sacred in art and makes a compelling case for its continued contemporary relevance.

Many people try to describe their experience when "in the zone" or "in the flow" during the creative process. Some claim that a Greater Power or Divine Guidance assisted them. But, what is this state of consciousness, and how do we replicate it? In search of answers, writer and painter Christopher J. Miller took the suggestion of one of his art mentors to watch and chronicle his creative process. Join him on his journey home as he outlines his approach and rediscovers God's presence while creating his art. Miller confirms that our first task as humans is to create, whether painting, raising children, starting a new business, making dinner, or writing a novel. This book is for everyone, for we are all creators.

"Art is a spiritual discipline - by exercising our creativity in art we can become more spiritual. Artist and lecturer Regina Coupar shows how learning to see is a shared aspiration of artists and religious seekers. The ""art of soul"" is about applying the principles of discerning vision to the development of one's soul. Coupar's insights are surprisingly revealing and accessible to readers with no artistic background. Lavishly illustrated with examples and instructions, plus a full-colour gallery of Coupar's work."

This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.

DIVThe first full-length survey of contemporary Chicana artists/div