From a recovering addict, musician, and tattooed indie culturist: a guidebook for today’s generation of spiritual misfits who crave a dogma-free path. Brutally honest and radically unconventional, Chris Grosso’s collection of stories and musings about his meandering journey of self-inquiry, recovery, and acceptance shows what it means to live a truly authentic spiritual life. Set amongst the backdrop of Grosso’s original music (includ­ed for download via QR codes in the text), Indie Spiritualist encourages you to accept yourself just as you are, in all your humanity and imperfect perfection.

A young writer travels to Maine to tell the unusual story of America’s longest-running camp devoted to mysticism and the world beyond. They believed they would live forever. So begins Mira Ptacin’s haunting account of the women of Camp Etna—an otherworldly community in the woods of Maine that has, since 1876, played host to generations of Spiritualists and mediums dedicated to preserving the links between the mortal realm and the afterlife. Beginning her narrative in 1848 with two sisters who claimed they could speak to the dead, Ptacin reveals how Spiritualism first blossomed into a national practice during the Civil War, yet continues—even thrives—to this very day. Immersing herself in this community and its practices—from ghost hunting to releasing trapped spirits to water witching— Ptacin sheds new light on our ongoing struggle with faith, uncertainty, and mortality. Blending memoir, ethnography, and investigative reportage, The In-Betweens offers a vital portrait of Camp Etna and its enduring hold on a modern culture that remains as starved for a deeper sense of connection and otherworldliness as ever.

“Braude has discovered a crucial link between the early feminists and the spiritualists who so captured the American imagination.” —Los Angeles Times In Radical Spirits, Ann Braude contends that the early women’s rights movement and Spiritualism went hand in hand. Her book makes a convincing argument for the importance of religion in the study of American women’s history. In this new edition, Braude discusses the impact of the book on the scholarship of the last decade and assesses the place of religion in interpretations of women’s history in general and the women’s rights movement in particular. A review of current scholarship and suggestions for further reading make it even more useful for contemporary teachers and students. “It would be hard to imagine a book that more insightfully combined gender, social, and religious history together more perfectly than Radical Spirits. Braude still speaks powerfully to unique issues of women’s creativity—spiritual as well as political—in a superb account of the controversial nineteenth-century Spiritualist movement.” —Jon Butler, Howard R. Lamar Professor Emeritus of American Studies, History, and Religious Studies at Yale University “Continually rewarding.” —The New York Times Book Review “A fascinating, well-researched, and scholarly work on a peripheral aspect of the rise of the American feminist movement.” —Library Journal “A vitally important book . . . [that] has . . . influenced a generation of young scholars.” —Marie Griffith, associate director of the Center for the Study of Religion, Princeton University “An insightful book and a delightful read.” —Journal of American History

In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.

A study of the public fascination with spiritualism and psychical research in Victorian and Edwardian times.