We often dismiss history as dull or irrelevant, but our modern disengagement from the past puts us fundamentally out of step with the long witness of the Christian tradition. Yet, says Margaret Bendroth, the past tense is essential to our language of faith, and without it our conversation is limited and thin. This accessible, beautifully written book presents a new argument for honoring the past. The Christian tradition gives us the powerful image of a vast communion of saints, all of God's people, both living and dead, in vital conversation with each other. This kind of connection with our ancestors in the faith, Bendroth maintains, will not happen by wishing or by accident. She argues that remembering must become a regular spiritual practice, part of the rhythm of our daily lives as we recognize our world to be, in many ways, a gift from others who have gone before.

Tennyson s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam s formal and thematic peculiarities, including Tennyson s use of the stanza and the poem s rhyme scheme."

Excerpt from The Spiritual Meaning of in Memoriam, an Interpretation for the Times The criticism that Tennyson was not a man Of the people is just. He lived within a narrow circle of the intellectually elect. His hostility to home rule for Ireland was an index to his undemocratic attitude. But his limitation was in a measure counterbalanced by his love for man as man. And it is note worthy that in his higher flights he tran scends all Of earth's poor distinctions and becomes the mouthpiece of humanity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

By analyzing Tennyson's use of memory in his poetry, this study shows Tennyson as the abiding experimentalist in the use of the poetic memory—through it, he presents his diverse themes in a variety of ways. Discussed in this book are selections from his earliest volumes and “Poems (1842)”, “In Memoriam”, “Maud”, and “Idylls of the King”, which are chosen not only for their rich illustrative variety in the use of memory but also because they span the whole of his poetic career and, therefore, attest to his consistent concern with memory.