A lively and personal book that returns the city to political thought Cities shape the lives and outlooks of billions of people, yet they have been overshadowed in contemporary political thought by nation-states, identity groups, and concepts like justice and freedom. The Spirit of Cities revives the classical idea that a city expresses its own distinctive ethos or values. In the ancient world, Athens was synonymous with democracy and Sparta represented military discipline. In this original and engaging book, Daniel Bell and Avner de-Shalit explore how this classical idea can be applied to today's cities, and they explain why philosophy and the social sciences need to rediscover the spirit of cities. Bell and de-Shalit look at nine modern cities and the prevailing ethos that distinguishes each one. The cities are Jerusalem (religion), Montreal (language), Singapore (nation building), Hong Kong (materialism), Beijing (political power), Oxford (learning), Berlin (tolerance and intolerance), Paris (romance), and New York (ambition). Bell and de-Shalit draw upon the richly varied histories of each city, as well as novels, poems, biographies, tourist guides, architectural landmarks, and the authors' own personal reflections and insights. They show how the ethos of each city is expressed in political, cultural, and economic life, and also how pride in a city's ethos can oppose the homogenizing tendencies of globalization and curb the excesses of nationalism. The Spirit of Cities is unreservedly impressionistic. Combining strolling and storytelling with cutting-edge theory, the book encourages debate and opens up new avenues of inquiry in philosophy and the social sciences. It is a must-read for lovers of cities everywhere. In a new preface, Bell and de-Shalit further develop their idea of "civicism," the pride city dwellers feel for their city and its ethos over that of others.

Modernism and the Spirit of the City offers a new reading of the architectural modernism that emerged and flourished in Europe in the first half of the twentieth century. Rejecting the fashionable postmodernist arguments of the 1980s and '90s which damned modernist architecture as banal and monotonous, this collection of essays by eminent scholars investigates the complex cultural, social, and religious imperatives that lay below the smooth, white surfaces of new architecture.

Marshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.

In recent decades economic dislocation, immigration, new architecture, and other forces have transformed the physical, social, and even religious landscape of large cities. There gleaming skyscrapers tower over struggling ghettos, abandoned businesses mar upscale shopping areas, and tall-steeple churches sometimes languish where storefront mosques thrive. Exploring the religious significance of this new urban landscape, a group of theologians, members of the Workgroup on Constructive Christian Theology, traveled to select cities and found an exciting, vibrant, and multivoiced religious spirit at work. In these essays five leading American theologians delve deeply into the contemporary spiritual geographies of five cities, capturing, through a mix of personal and historical narrative, political analysis, and theological rumination, a sense of this new sacred space and the spirit aborning there.

Chilean writer Isabel Allende’s classic novel is both a richly symbolic family saga and the riveting story of an unnamed Latin American country’s turbulent history. In a triumph of magic realism, Allende constructs a spirit-ridden world and fills it with colorful and all-too-human inhabitants. The Trueba family’s passions, struggles, and secrets span three generations and a century of violent social change, culminating in a crisis that brings the proud and tyrannical patriarch and his beloved granddaughter to opposite sides of the barricades. Against a backdrop of revolution and counterrevolution, Allende brings to life a family whose private bonds of love and hatred are more complex and enduring than the political allegiances that set them at odds. The House of the Spirits not only brings another nation’s history thrillingly to life, but also makes its people’s joys and anguishes wholly our own.

In The Burning City, Alaya Dawn Johnson continues the trilogy begun with her debut, Racing the Dark, delving deeper into the world of magic wielded by women who understand the dark trade-offs of power and sacrifice. Lana, the heroine, has become the black ange l —a harbinger of destruction unheard of in the islands for 500 years. Nui'ahi, the sleeping volcano of the great city Essel, has erupted. In the chaos, the city is reshaping itself and violence threatens from all corners. A rebel movement has formed in the destroyed heart of the city, determined to oust Kohaku, the mad Mo'i of Essel. Lana wants no part of the rebels' cause — the death spirit still chases her, and the great witch Akua has kidnapped Lana's mother. But the more Lana looks for her mother, the more she is drawn into the city's political conflicts. As Kohaku descends deeper into madness, determined to subdue the city by any means necessary, his wife has run away to the fire temple, where she too is slowly converted to the rebel's cause. When long-running tensions spill over into civil war, Lana must make her hardest decision yet: her mother's life, or a city's freedom?