“A timeless classic” (San Antonio Express-News), reissued with a new foreword, afterword, and ten percent more material about a black man who spent seventeen years on a brutal Texas prison plantation and underwent a remarkable transformation. First published in 1984, Racehoss: Big Emma’s Boy is Albert Race Sample’s “unforgettable” (The Dallas Morning News) tale of resilience, revelation, and redemption. Born in 1930, the mixed-race son of a hard-drinking black prostitute and a white cotton broker, Sample was raised in the Jim Crow South by an abusive mother who refused to let her son—who could pass for white—call her Mama. He watched for the police while she worked, whether as a prostitute, bootlegger, or running the best dice game in town. He loved his mother deeply but could no longer take her abuse and ran away from home at the age of twelve. In his early twenties, Sample was arrested for burglary, robbery, and robbery by assault and was sentenced to nearly twenty years in the Texas prison system in the 1950s and 60s. His light complexion made him stand out in the all-black prison plantation known as the “burnin’ hell,” where he and over four hundred prisoners picked cotton and worked the land while white shotgun-carrying guards followed on horseback. Sample earned the moniker “Racehoss” for his ability to hoe cotton faster than anyone else in his squad. A profound spiritual awakening in solitary confinement was a decisive moment for him, and he became determined to turn his life around. When he was finally released in 1972, he did just that. Though Sample was incarcerated in the twentieth century, his memoir reads like it came from the nineteenth. With new stories that had been edited out of the first edition, a foreword by Texas attorney and writer David R. Dow, and an afterword by Sample’s widow, Carol, this new edition of Racehoss: Big Emma’s Boy offers a more complete picture of this extraordinary time in America’s recent past.

A quilt that gazes westwards across the wide Atlantic sea from the Cornish coast to New England...We live a long way from the sea and in the height of summer it can take many hours to reach the coast.But the minute we catch a glimpse of the water, sparkling on the horizon, the cares of the journey disappear.A brisk, salty breeze; clear coastal light; and the sound of the seagulls whirling overhead - eyeing up our fish and chip supper - as we stroll along the pier and we are restored...

Here's the quickest and most inexpensive way to learn about the pioneering work of Shigeo Shingo, co-creator (with Taiichi Ohno) of just-in-time. It's an introductory book containing excerpts of five of his classic books as well as an excellent introduction by Professor Robinson.

Cat-loving quilters mew-nite! Embrace your inner cat lady with contemporary cat-themed projects! Play with texture and style to create 16 unique projects from bags and decor to 7 different patchwork quilts. Each project includes step-by-step instructions guiding stitchers on a variety of techniques from foundation paper piecing to free-motion embroidery. Also learn how to play with different substrates such as cotton, linen, wool, wool-blended felt, denim, vinyl, and repurposed clothing. From beginners to more experienced, there is something new to learn for every stitcher. The paw-sibilities are endless! Make the most of your feline fabrics and craft 16 original cat-themed quilts and textile projects Use dozens of techniques from basic piecing, hand embroidery, and machine sewing for a vintage-meets-modern aesthetic Experiment with different textiles and fabrics to create bags, accessories, home decor, and quilts

Reimagining Sample-based Hip Hop: Making Records within Records presents the poetics of hip-hop record production and the significance of sample material in record making, providing analysis of key releases in hip-hop discography and interviews with experts from the world of Hip Hop and beyond. Beginning with the history of hip-hop music making, this book guides the reader through the alternative techniques deployed by beat-makers to avoid the use of copyrighted samples and concludes with a consideration of the future of Hip Hop, alongside a companion album that has been created using findings from this research. Challenging previous theoretical understandings about Hip Hop, the author focuses on deconstructing sonic phenomena using his hands-on engineering expertise and in-depth musicological knowledge about record production. With a significant emphasis on both practice and theory, Reimagining Sample-based Hip Hop will be of interest to advanced undergraduates, postgraduates, and researchers working in audio engineering, music production, hip-hop studies, and musicology.