The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.

The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.

Annotation The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-Garca argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-Garca provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.

Morro Bay began as a coastal fishing and farming village. Today it is a well-known vacation destination. At its heart, it has changed little since John Riley first envisioned it in 1872. The community has had brushes with dramatic change, but fate has allowed it to remain a typical American small town. Author Roger Castle was born and raised in Morro Bay. Coauthor Gary Ream and photographer Garry Johnson are relative newcomers. Through their eyes, here is a view of a modern, but ageless Morro Bay.

An English-language debut that reveals and subverts contemporary conceptions of normative sexuality, capitalist culture, and environmental degradation. Winner, Prix du Livre Inter, 2019 Shortlisted for the Prix Femina, Prix Medicis, Prix de Flore Longlisted for the Prix France-Culture, Prix Wepler Farah moves into Liberty House—an arcadia, a community in harmony with nature—at the tender age of six, with her family. The commune’s spiritual leader, Arcady, preaches equality, non-violence, anti-speciesism, free love, and uninhibited desire for all, regardless of gender, age, looks, or ability. At fifteen, Farah learns she is intersex, and begins to go beyond the confines of gender, as she explores the arc of her own desires. What, Farah asks, is a man or a woman? What does it mean to be part of a community? What is utopia when there are refugees nearby seeking shelter who cannot enter? Emmanuelle Bayamack-Tam delivers a magisterial novel, both a celebration and a critique of innocence in the contemporary world.

From the author of the international best seller An Instance of the Fingerpost, Arcadia is an astonishing work of imagination. In Cold War England, Professor Henry Lytten, having renounced a career in espionage, is writing a fantasy novel that dares to imagine a world less fraught than his own. He finds an unlikely confidante in Rosie, an inquisitive young neighbor who, while chasing after Lytten's cat one day, stumbles through a doorway in his cellar and into a stunning and unfamiliar bucolic landscape—remarkably like the fantasy world Lytten is writing about. There she meets a young boy named Jay who is about to embark on a journey that will change both their lives. Elsewhere, in a distopian society where progress is controlled by a corrupt ruling elite, the brilliant scientist Angela Meerson has discovered the potential of a powerful new machine. When the authorities come knocking, she will make an important decision—one that will reverberate through all these different lives and worlds.