The New York Times bestselling author of The Gates of Europe offers “a stirring account of an extraordinary moment” in Russian history (Wall Street Journal) On Christmas Day, 1991, President George H. W. Bush addressed the nation to declare an American victory in the Cold War: earlier that day Mikhail Gorbachev had resigned as the first and last Soviet president. The enshrining of that narrative, one in which the end of the Cold War was linked to the disintegration of the Soviet Union and the triumph of democratic values over communism, took center stage in American public discourse immediately after Bush's speech and has persisted for decades -- with disastrous consequences for American standing in the world. As prize-winning historian Serhii Plokhy reveals in The Last Empire, the collapse of the Soviet Union was anything but the handiwork of the United States. Bush, in fact, was firmly committed to supporting Gorbachev as he attempted to hold together the USSR in the face of growing independence movements in its republics. Drawing on recently declassified documents and original interviews with key participants, Plokhy presents a bold new interpretation of the Soviet Union's final months, providing invaluable insight into the origins of the current Russian-Ukrainian conflict and the outset of the most dangerous crisis in East-West relations since the end of the Cold War. Winner of the Lionel Gelber Prize Winner of the Pushkin House Russian Book Prize Choice Outstanding Academic Title BBC History Magazine Best History Book of the Year

A major study of the collapse of the Soviet Union—showing how Gorbachev’s misguided reforms led to its demise “A deeply informed account of how the Soviet Union fell apart.”—Rodric Braithwaite, Financial Times “[A] masterly analysis.”—Joshua Rubenstein, Wall Street Journal In 1945 the Soviet Union controlled half of Europe and was a founding member of the United Nations. By 1991, it had an army four million strong with five thousand nuclear-tipped missiles and was the second biggest producer of oil in the world. But soon afterward the union sank into an economic crisis and was torn apart by nationalist separatism. Its collapse was one of the seismic shifts of the twentieth century. Thirty years on, Vladislav Zubok offers a major reinterpretation of the final years of the USSR, refuting the notion that the breakup of the Soviet order was inevitable. Instead, Zubok reveals how Gorbachev’s misguided reforms, intended to modernize and democratize the Soviet Union, deprived the government of resources and empowered separatism. Collapse sheds new light on Russian democratic populism, the Baltic struggle for independence, the crisis of Soviet finances—and the fragility of authoritarian state power.

The first state in history to be based explicitly on atheism, the Soviet Union endowed itself with the attributes of God. In this book, David Satter shows through individual stories what it meant to construct an entire state on the basis of a false idea, how people were forced to act out this fictitious reality, and the tragic human cost of the Soviet attempt to remake reality by force. “I had almost given up hope that any American could depict the true face of Russia and Soviet rule. In David Satter’s Age of Delirium, the world has received a chronicle of the calvary of the Russian people under communism that will last for generations.†?—Vladimir Voinovich, author of The Life and Extraordinary Adventures of Private Ivan Chonkin “Spellbinding. . . . Gives one a visceral feel for what it was like to be trapped by the communist system.†?—Jack Matlock, Washington Post “Satter deserves our gratitude. . . . He is an astute observer of people, with an eye for essential detail and for human behavior in a universe wholly different from his own experience in America.†?—Walter Laqueur, Wall Street Journal “Every page of this splendid and eloquent and impassioned book reflects an extraordinarily acute understanding of the Soviet system.†?—Jacob Heilbrunn, Washington Times

Culture and media institutions are part of the Soviet establishment, yet also head the counter-culture which has gradually been taking shape in the Brezhnev era. Glasnost has introduced new intellectual or institutional upheavals which the contributors describe and analyze.