Planters' Progress is the first book to examine the profoundly transformative industrialization of a southern state during the Civil War. More than any other Confederate state, Georgia mixed economic modernization with a large and concentrated slave population. In this pathbreaking study, Chad Morgan shows that Georgia's remarkable industrial metamorphosis had been a long-sought goal of the state's planter elite. Georgia's industrialization, underwritten by the Confederate government, changed southern life fundamentally. A constellation of state-owned factories in Atlanta, Augusta, Columbus, and Macon made up a sizeable munitions and supply complex that kept Confederate armies in the fields for four years against the preeminent industrial power of the North. Moreover, the government in Richmond provided numerous official goads and incentives to non-government manufacturers, setting off a boom in private industry. Georgia cities grew and the state government expanded its function to include welfare programs for those displaced and impoverished by the war. Georgia planters had always desired a level of modernization consistent with their ascendancy as the ruling slaveowner class. Morgan shows that far from being an unwanted consequence of the Civil War, the modernization of Confederate Georgia was an elaboration and acceleration of existing tendencies, and he confutes long and deeply held ideas about the nature of the Old South. Planters' Progress is a compelling reconsideration not only of Confederate industrialization but also of the Confederate experience as a whole.

JAMES L. HUSTON is professor of history at Oklahoma State University and the author of The Panic of 1857 and the Coming of the Civil War; Securing the Fruits of Labor: The American Concept of Wealth Distribution, 1765-1900; Calculating the Value of the Union: Slavery, Property Rights, and the Economic Origins of the Civil War ; and Stephen A. Douglas and the Dilemmas of Democratic Equality.

This book describes the turbulent transformation of South Carolina from a colony rent by sectional conflict into a state dominated by the South's most unified and politically powerful planter leadership. Rachel Klein unravels the sources of conflict and growing unity, showing how a deep commitment to slavery enabled leaders from both low- and backcountry to define the terms of political and ideological compromise. The spread of cotton into the backcountry, often invoked as the reason for South Carolina's political unification, actually concluded a complex struggle for power and legitimacy. Beginning with the Regulator Uprising of the 1760s, Klein demonstrates how backcountry leaders both gained authority among yeoman constituents and assumed a powerful role within state government. By defining slavery as the natural extension of familial inequality, backcountry ministers strengthened the planter class. At the same time, evangelical religion, like the backcountry's dominant political language, expressed yet contained the persisting tensions between planters and yeomen. Klein weaves social, political, and religious history into a formidable account of planter class formation and southern frontier development.

This book examines the home and leisure life of planters in the antebellum American South. Based on a lifetime of research by the late Eugene Genovese (1930–2012), with an introduction and epilogue by Douglas Ambrose, The Sweetness of Life presents a penetrating study of slaveholders and their families in both intimate and domestic settings: at home; attending the theatre; going on vacations to spas and springs; throwing parties; hunting; gambling; drinking and entertaining guests, completing a comprehensive portrait of the slaveholders and the world that they built with slaves. Genovese subtly but powerfully demonstrates how much politics, economics, and religion shaped, informed, and made possible these leisure activities. A fascinating investigation of a little-studied aspect of planter life, The Sweetness of Life broadens our understanding of the world that the slaveholders and their slaves made; a tragic world of both 'sweetness' and slavery.

Planter's Prospect: Privilege and Slavery in Plantation Paintings