This volume discusses the important, mainly Roman, buildings at the east end of the Corinthian Agora; the Julian Basilica and the Southeast Building, the South Basilica (immediately behind the South Stoa), and the Mosaic House adjoining it. The Southeast Building is described first in its present state, and then as it must have looked in its two main periods of use, soon after 44 B.C. and in the second quarter of the 1st century A.D. It was probably known in ancient times as the Tabularium or Library of Corinth. The adjoining Julian Basilica was, with the South Basilica, built about A.D. 40; the interior colonnades of both were rebuilt in marble in the Hadrianic period. These basilicas have a cryptoporticus on the ground floor and on the main floor an interior colonnade supporting a clerestory and three exedras. Detailed descriptions of each building are followed by a reconstruction of the pair and by a comparative discussion of floor plans. Finally, the Mosaic House is discussed and analysis of the mosaics date it about 200 A.D.

The results of our rapidly expanded historical and archaeological knowledge have here been brought to bear on the Book of Acts to stunning effect. Outstanding as Jackson and Lake was in its day, this volume on the Graeco-Roman setting of Acts holds out the promise of equaling if not surpassing that great achievement. Paul Barnett, Bishop of North Sydney, Australia This well-written volume offers a remarkable, up-to-date collection of relevant new data to assist in scenario formation for a considerate reading of the Book of Acts . The largely Australian and British team of authors must be congratulated for preparing this very useful data set. There are authoritative descriptions of travel, of food supply, of domestic and political religion, of urban elites, and of the Eastern Mediterranean provinces and their leadership. Such information about the realm of the Graeco-Roman world will enable the interpreter of Acts to bring these data to bear in the process of interpretation.... Of great use to ancient historians, classicists, and biblical scholars, yet written and presented in such a way that it will be fascinating to intelligent nonprofessionals as well. Bruce J. Malina, Creighton University

Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as well as an altar to Divus Augustus and dedications to the genius Augusti, the gens Augusta, and other family members. This richly illustrated volume provides a contextual study of this important building, the remains of which were first published by Saul Weinberg in 1960 (Corinth I.5). Scotton treats the architectural remains, Vanderpool the sculptural remains, and Roncaglia the epigraphical material, each providing extensive catalogues with new photos, in addition to color reconstructions of the basilica and its grand interior.

Investigate the challenges, threats, and opportunities experienced by the early church Volume two of The First Urban Churches focuses on the urban context of Christian churches in first-century Roman Corinth. An investigation of the material evidence of Corinth helps readers today understand properly the challenges, threats, and opportunities that the early Corinthian believers faced in the city. The essays demonstrate decisively the difference that such an approach makes in grappling with the meaning and context of the Corinthian epistles in the New Testament. Features: Analysis of urban evidence of the inscriptions, papyri, archaeological remains, coins, and iconography Proposed reeconstructions of the past and its social, religious, and political significance A nuanced, informed portrait of ancient urban life in Corinth

In the context of growing inequality in the twenty-first century, That There May Be Equality seeks to give new audibility to Paul’s appeal to the principle of “equality” in the collection for the poor. L.L. Welborn traces the history of the concept of “equality” in Greek history in order to convey the potency of the idea which Paul invokes. He analyzes the structural inequality of the Roman economy, particularly that of Roman Corinth, and traces the emergence of Paul’s concern about inequality in the ekklēsia of Christ believers at Corinth. Welborn then analyzes Paul’s invocation of the principle of “equality” in his appeal for partnership in the collection for the poor in 2 Corinthians 8 and 9, bringing Paul’s appeal to “equality” into the present-day crisis of global inequality.

The social context of Paul’s mission and congregations has been the study of intense investigation for decades, but only in recent years have questions of economic realities and the relationship between rich and poor come to the forefront. In Paul and Economics, leading scholars address a variety of topics in contemporary discussion, including an overview of the Roman economy; the economic profile of Paul and of his communities, and stratification within them; architectural considerations regarding where they met; food and drink; idol meat and the Lord’s Supper; material conditions of urban poverty; patronage; slavery; travel; gender and status; the collection for Jerusalem; and the role of Marxist theory and the question of political economy in Paul scholarship.

This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.