When Jordan finally gets invited to go to the chippy with the cool kids, he feels stupid carrying around a flask of mum'swholesome soup. He decides instead to give it to a homeless man called Harry. It's this one act of kindness that leads to a host of new friendships and a community movement.

The history of Vietnam lies in this bowl, for it is in Hanoi, the Vietnamese heart, that pho was born, a combination of the rice noodles that predominated after a thousand years of Chinese occupation and the taste for beef the Vietnamese acquired under the French, who turned their cows away from ploughs and into bifteck and pot-au-feu. The name of their national soup is pronounced like this French word for fire, as Hung’s Uncle Chien explained to him long ago. “We’re clever people,” his uncle had said. “We took the best the occupiers had to offer and made it our own. Fish sauce is the key—in matters of soup and well beyond. Even romance, some people say.” —from The Beauty of Humanity Movement (p 5) by Camilla Gibb Old Man Hu’ng has been making and selling pho to hungry devotees for nearly 70 years, continually adapting his recipe and the location of his food cart to accommodate the terrible demands of poverty, war and oppression that have plagued Hanoi throughout his long life. Cherished least of all his mother’s ten children thanks to an inauspicious facial birthmark, Hu’ng was sent in 1933 to apprentice at his Uncle Chien’s restaurant where he achieved mastery over broth and noodles. Inheriting the business from his uncle, Hu’ng’s sublime cookery and willingness to barter made him a favourite in the 1950s with the Beauty of Humanity Movement, a group of artists and intellectuals who dared question Communist rule, at great peril. Heading the Movement was Dao, a poet whose young son Binh would shadow Hu’ng at the restaurant, hungry not for noodles but for the attention that his own revolutionary father was too distracted to provide. When Dao was inevitably arrested, Binh’s mother whisked the boy into hiding, blinding him in one eye to avoid conscription. Hu’ng was forced to close his restaurant, but not knowing any other life’s work, he persisted in making and selling pho by pushing a food cart through the city, even when forced to make his noodles with scavenged pond weeds. Fifty years later, Binh is a middle-class Hanoi carpenter who once again consumes daily bowls of Hu’ng’s pho, following the old man to whatever location he has moved to in order to evade police beatings. Binh tries valiantly to protect Hu’ng, the gentle old man who is as close to a father as he has ever known. By extension Hu’ng is also a grandfather to Binh’s son Tu’, a somewhat aimless Nike-shod tour guide who wears his clothes and hair in modern fashion, and yet whose spirited idealism reminds Hu’ng of his revolutionist grandfather. Then one day Hu’ng’s improvised pho stand is visited by a beautiful stranger, Maggie, a foreign-raised Vietnamese art curator who was spirited out of Hanoi as a child during the fall of Saigon. Her artist father disappeared in those tumultuous times, and Maggie has returned to the country of her birth to learn his fate. Hearing of Hu’ng’s reputation, she has come to plead for answers—did he know her father? Hu’ng’s memory is failing, but he dearly wants to help this young woman, whose beauty sends him back to a time long ago, when he loved a girl whose betrayal he has never forgiven. . . Steeped in rich and highly evocative language, Camilla Gibb’s The Beauty of Humanity Movement is a nuanced and gentle paean for Vietnam, a poignant testament to the strength and resiliency of love and art in overcoming terrible hardship.

After a devastating brain cancer diagnosis, Caroline Wright told some new friends she was craving homemade soup, then found soup on her doorstep every day for months. She survived with a deep gratitude for soup and her community. In thanks and in their honor, she decided to start a weekly soup club delivering her own original healthful soup recipes to her friend’s porches. Caroline’s creative spirit and enthusiasm spread, along with the word of her club, and she soon was building a large community of soup enthusiasts inspired by her story. Soup Club is unlike any other soup book. Caroline’s collection of recipes along with artwork, photography, and haiku from her members, tell a moving story of community, love, and health at its center. This unique cookbook proves that soup can be more than a filling meal, but also a mood and a feeling. Every soup can be made on the stove top and Instant Pot. The recipes are all vegan and gluten-free and include: Catalan Chickpea Stew with Spinach Jamaican Pumpkin and Red Pea Soup Split Pea Soup with Roasted Kale West African Vegetable Stew

Two grandmas. Two delicious recipes. And one granddaughter caught in the middle! Sophie loves Bubbe's Jewish chicken soup, made with kreplach. She also loves Nai Nai's Chinese chicken soup, with wonton. But don't tell Bubbe and Nai Nai that their soups are the same! Can Sophie bring her whole family together for a warm and tasty surprise?

FINALIST 2014 – Heritage Toronto Award It began as a food bank. It turned into a movement. In 1998, when Nick Saul became executive director of The Stop, the little urban food bank was like thousands of other cramped, dreary, makeshift spaces, a last-hope refuge where desperate people could stave off hunger for one more day with a hamper full of canned salt, sugar and fat. The produce was wilted and the packaged foods were food-industry castoffs—mislabelled products and misguided experiments that no one wanted to buy. For users of the food bank, knowing that this was their best bet for a meal was a humiliating experience. Since that time, The Stop has undergone a radical reinvention. Participation has overcome embarrassment, and the isolation of poverty has been replaced with a vibrant community that uses food to build hope and skills, and to reach out to those who need a meal, a hand and a voice. It is now a thriving, internationally respected Community Food Centre with gardens, kitchens, a greenhouse, farmers’ markets and a mission to revolutionize our food system. Celebrities and benefactors have embraced the vision because they have never seen anything like The Stop. Best of all, fourteen years after his journey started, Nick Saul is introducing this neighbourhood success story to the world. In telling the remarkable story of The Stop’s transformation, Saul and Curtis argue that we need a new politics of food, one in which everyone has a dignified, healthy place at the table. By turns funny, sad and raw, The Stop is a timely story about overcoming obstacles, challenging sacred cows and creating lasting change.

You can be FEARLESS. Fearless helps you find the confidence to be your true self. With vibrant colour illustrations throughout, Fearless shows that by breaking free from labels and stereotypes, together we can build a generation who are healthy, happy and can truly realize their full potential. Fearless explores how stereotypes influence everything – from how you feel about your body, to your interests and career aspirations. Includes: interviews with and quotes from inspirational people who defy stereotypes, such as female politicians and male dancers games and activities to get you thinking outside the box. Written by Liam Hackett – founder of global anti-bullying charity, Ditch the Label.

Secular Musicals - Classroom