'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film, radio, music, sound art, websites, animation and computer games entertainment, and stage theatre. Using an interdisciplinary approach Tim Crook explores the technologies, philosophies and cultural issues involved in making and experiencing sound, investigating soundscape debates and providing both intellectual and creative production information. The book covers the history, theory and practice of sound and includes practical production projects and a glossary of key terms. The Sound Handbook is supported by a companion website, signposted throughout the book, with further practical and theoretical resources dedicated to bridging the creation and study of sound across professional platforms and academic disciplines.

The Music Producer's Handbook, Second Edition reveals the secrets to becoming a music producer and producing just about any kind of project in any genre of music. Among the topics covered are the producer's multiple responsibilities and all the elements involved in a typical production, including budgeting, contracts, selecting the studio and engineer, hiring session musicians, and even getting paid. Unlike other books on production, The Music Producer's Handbook also covers the true mechanics of production, from analyzing, troubleshooting, and fixing a song that isn't working to getting the best performance and sound out of a band or vocalist. In addition, Bobby Owsinski tackles what may be the toughest part of being a producer – being a diplomat, a confidant, and an amateur psychologist all at once. This edition also includes new chapters on self-production, small studio production, and how the new songwriter-producer and engineer-producer hybrids make money in our new digital music world. It also features several new interviews with some of the best-selling producers from different musical genres, who offer advice on getting started, getting paid, and making hits. Packed with inside information and including exclusive online media, The Music Producer's Handbook, Second Edition provides invaluable tools and advice that will help beginners and seasoned professionals alike. Item includes online resource.

^The Sound Protection Handbook> is designed to be a useful guide to current operational sound practices within the broadcast industry. Multi-skilling within the industry has meant that the role of the sound engineer is now much wider, with operators no longer specialising in any area, but expected to possess a broad range of skills. Basic sound theory is covered and presented in such a way as to provide enough theoretical information for the professional or student to enable them to perform the many sound roles required, whether on location or in the sudio. However, the emphasis of the book is an operatinal one, covering all aspects of sound operations within televition broadcasting. The book follows a framework similar to that of NVQs and can be used as a practical source of information for those aspiring to those qualifications. The Sound Production Handbook is a useful source of guidance and reference for any operators who are changing roles and broadening their experience within the industry and provides an insight to current requirements, not only from a technical point of view, but also from a practical perspective.

(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.

The Handbook of Speech Production is the first reference work to provide an overview of this burgeoning area of study. Twenty-four chapters written by an international team of authors examine issues in speech planning, motor control, the physical aspects of speech production, and external factors that impact speech production. Contributions bring together behavioral, clinical, computational, developmental, and neuropsychological perspectives on speech production to create a rich and truly interdisciplinary resource Offers a novel and timely contribution to the literature and showcases a broad spectrum of research in speech production, methodological advances, and modeling Coverage of planning, motor control, articulatory coordination, the speech mechanism, and the effect of language on production processes

To produce a Grammy award winning album you need to know what goes into creating great music- both the business and the technical. What is Music Production takes a look at the process, looking at the art of producing and providing insight into the producer's lifestyle. Packed with information the book gives a step by step guide and insight into the process of music production. Whether you're are a professional or just starting out ?What is Music Production? will tell you everything you need to know from choosing the artist, songs, pre production, mixing, mastering to finance and budgeting. Combining the ?how to? with case studies, online assets and interviews the book arms you with the tools, techniques and knowledge to be a top producer.

^The Sound Protection Handbook is designed to be a useful guide to current operational sound practices within the broadcast industry. Multi-skilling within the industry has meant that the role of the sound engineer is now much wider, with operators no longer specialising in any area, but expected to possess a broad range of skills. Basic sound theory is covered and presented in such a way as to provide enough theoretical information for the professional or student to enable them to perform the many sound roles required, whether on location or in the sudio. However, the emphasis of the book is an operatinal one, covering all aspects of sound operations within televition broadcasting. The book follows a framework similar to that of NVQs and can be used as a practical source of information for those aspiring to those qualifications. The Sound Production Handbook is a useful source of guidance and reference for any operators who are changing roles and broadening their experience within the industry and provides an insight to current requirements, not only from a technical point of view, but also from a practical perspective.