The sound of geese over the house and in the house the prayer on the Prophet The sound of geese over the house and in the house Allah loves you The mountains are full of light and their gigantic shadows are eloquent since they're leaning against the sky and out into space with their crags and outcrops No sound can scale in a dimension commensurate with the pure expanse of it The sound of geese over the house puts a dome of life above us and a sea of life below us and a world of life all around us and a shaft of living Light inside us

The luster of a glisten is/enough to elicit bliss//The gleam from a beam/enough to confound the intellect//The crack of a rock in a creek/can take us back to where//we lost track//The whiff of a sniff can lift/even the most morose heart//from the hotbed of heartbreak//All these phenomena/splinter and splatter in//this world to focus from the/unseen world onto this one//some hint of the high rainbowing/laughter to come...

Poetic inspiration continues to be a mystery to me, but I am its deep advocate, and hold to its irrational and shady acreage like a greedy real estate developer gazing out over the possibilities (a ramshackle hut here, a barn there, a castle with a lake yonder...). Is it angels, djinn, my black cat curled at the bottom of my bed while I'm hot in composition mode? My "unconscious," "God Consciousness?" (my fervent prayer).

Of the three books collected here, the first is celebratory of Islam's eschatology (next-world doctrine), the second an homage to the Prophet Muhammad, peace and blessings of Allah be upon him, and the third written on an 'Umra in 1995/96 to Mecca and Medina... These are all poems of my root work, going down into the loam of study, practice and fidelity to the ideas and often the terminology of Islamic and Sufic thought, while my poetic development since these book incorporates more imaginally leaping imagery and unhesitantly associational language, to more openly circumscribe both the tone and experience of a modern American but cosmopolitan Muslim/Sufi in our very promising but rambunctiously tumultuous times.

“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

I'm not sure why anyone would want to undergo spiritual training, the rigors and difficulties of a path of spiritual discipline, except to reach a state of enlightenment. And I'm not sure that the state of enlightenment would be one of grim survival, or a harsh stoicism after all the exhausting rigors, but rather a joyful and constant perception of the simultaneous multifariousness of all things, and the single Divine core around which we all endlessly circulate'¦ The Perfect Orchestra of the Real. This world's natural light is supernatural light, and even when shining on the discordant, radiates calm, back to the central chord, the tonally harmonic resolution that laps throughout the universe as well as through us, end to end, and back again.

Mary Oliver is one of America's best-loved poets, the winner of the Pulitzer Prize and the National Book Award. Her luminous poetry celebrates nature and beauty, love and the spirit, silence and wonder, extending the visionary American tradition of Whitman, Emerson, Frost and Emily Dickinson. Her extraordinary poetry is nourished by her intimate knowledge and minute daily observation of the New England coast, its woods and ponds, its birds and animals, plants and trees.