the first time that these sonnets have been brought together in one book translations that are not just accurate guides to the meaning of the originals but also enjoyable sonnets in their own right Offers detailed and incisive critical commentary on each of the poems; a complete and readable introduction.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.

Islam in Spanish Literature is a sweeping reinterpretation of Spanish literature, taking as its given the enormous debt to Arab culture that Spain incurred through the eight centuries of Islamic presence on the Iberian Peninsula. This volume takes up the thread of the work of the Arabist Miguel Asín Palacios, the first to comment extensively upon the marked Islamic features in many Spanish classics. After an initial survey of the presence of Islam and Judaism in Spanish history and culture, succeeding chapters explore the Muslim context of Juan Ruiz, the author of the Libro de buen amor; St John of the Cross; St Teresa de Jesus; the anonymous sonnet "No me mueve, mi Dios"; aljamiado-morisco literature and then "official" Moorophile literature, standing in such dramatic contrast to one another; and last, the novelist Juan Goytisolo, who, writing today, continues to reflect upon the impact of the East on Spanish culture. It is no exaggeration to state that this book redefines the ground of the study of Spanish literature; it will be hard for the contemporary reader ever again to read it with innocence, as a literature exclusively "European."

John A. Crow, a leading Hispanist, has culled the best translations available--by such poets as Richard Franshawe, Edward Fitzgerald, Percy Bysshe Shelley, Lord Byron, Henry Wadsworth Longfellow, William Cullen Bryant, Robert Southey, and many distinguished modern poets--of poems ranging from the eleventh century to the present to make this the most complete collection of both Spanish and Spanish American poetry in English translation. Represented here is work by such twentieth century poets as Gabriela Mistral, Octavio Paz, Federico García Lorca, César Vallejo, Pablo Neruda, Anotnio Machado, and Juan Ramón Jiménez, many of whom the editor has known personally. The inclusion of many contemporary poets whose verse has never before appeared in English makes this anthology a particularly valuable collection.

This book is the first in-depth exploration of the relationship between Latin American and European modernisms during the long twentieth century. Drawing on comparative, historical, and postcolonial reading strategies (including archival research), it seeks to reenergize the study of modernism by putting the spotlight on the cultural networks and aesthetic dialogues that developed between European and non-European writers, including Pablo Neruda, James Joyce, Leonard Woolf, Virginia Woolf, Jorge Luis Borges, Victoria Ocampo, Roberto Bolaño, Julio Cortázar, Samuel Beckett, Octavio Paz, Carlos Fuentes, and Malcolm Lowry. The book explores a wide range of texts that reflect these writers’ complex concerns with questions of exile, space, empire, colonization, reception, translation, human subjectivity, and modernist experimentation. By rethinking modernism comparatively and by placing this intricate web of cultural interconnections within an expansive transnational (and transcontinental) framework, this unique study opens up new perspectives that delineate the construction of a polycentric geography of modernism. It will be of interest to those studying global modernisms, as well as Latin American literature, transatlantic studies, comparative literature, world literature, translation studies, and the global south.

A paperback of Gerald Brenan's account of Spanish literature from Roman times to the present, which has won praise from every quarter for its original and enthusiastic approach, its wide-ranging scholarship and elegant style. First published in paperback in 1976, this book remains a useful study of Spanish literary history.