Travel the globe on an inspiring journey through the animal kingdom. A Song of Gladness is a timely reminder of the beauty and importance of the natural world from two of today's most celebrated children's book creators. From a blackbird in a Devon garden to leopards in the African savanna, hibernating bears and chimpanzees high in the forest canopy, A Song of Gladness reminds us all of our connection with nature, and with each other, and the urgent need for us to join together in caring for the planet and every creature in it. Former Children's Laureate and CILIP Carnegie Medal winner Sir Michael Morpurgo's beautiful story is both moving and full of hope; the illustrations from twice CILIP Kate Greenaway-winning Emily Gravett are breathtaking. This gorgeous book is a classic in the making and the perfect gift for any animal and nature lover.

Nominated for the Yoto Carnegie Medals for Writing and Illustration 2023 When animals talk, it's time humans listened: Harlon has been raised to protect her younger siblings, twins Ash and Xeno, and their outlawed power of communicating with animals. But when the sinister Automators attack their mountain home they must flee for their lives. A stunning environmental epic with cover and chapter illustrations by award-winning illustrator Jackie Morris.

A soulful story of family, love and the notes that define our lives by the author of The Secret Recipe for Second Chances. If Bridget Jones and Nina Proudman had a sister she would be Zoe Wylde. Zoe Wylde is a woman at a crossroad. Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the ONE. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married. Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life? *Includes a BONUS extract from J.D.'s new novel, The Upside of Over*

A soulful story of family, love and the notes that define our lives by the author of The Secret Recipe for Second Chances. If Bridget Jones and Nina Proudman had a sister she would be Zoe Wylde. Zoe Wylde is a woman at a crossroad. Five years ago, she fled her successful career as a concert harpist in London to return to her Bondi home. She still plays, but now her audience is on the way out ... literally. It's complicated and complication is something Zoe understands well. Her best friend is chasing a new love, her brother's chasing too much love and her father has been married far too many times. Compared to them she thought she was doing okay. She's met the guy she is sure is the ONE. He wooed her and has been sleeping with her for almost five years. It would all be perfect ... if he wasn't married. Zoe is learning that hearts, like harps, are capable of beautiful music if treated the right way and can be tricky to manoeuvre. She's over the old tune. But does Zoe have the courage to rewrite the song of her own life? *Includes a BONUS extract from J.D.'s new novel, The Upside of Over*

Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos explores the many-layered relationships female fans build with feminist musicians in general and with Tori Amos, in particular. Using original interview research with more than forty fans of Tori Amos, multiple observer-participant experiences at Amos’s concerts, and critical content analysis of Amos’s lyrics and larger body of work, Adrienne Trier-Bieniek utilizes a combination of gender, emotions, music, and activism to unravel the typecasts plaguing female fans. Trier-Bieniek aggressively challenges the popular culture stereotypes that have painted all female fans as screaming, crying teenage girls who are unable to control themselves when a favorite (generally male) performer occupies the stage. In stunning contrast, admirers of Tori Amos comprise a more introspective category of fan. Sing Us a Son, Piano Woman examines the wide range of stories from these listeners, exploring how Amos’s female fans are unique because Amos places the experiences of women at the center of her music. Tori Amos’s fan base is considered devoted because of the deeply emotional, often healing, connection they have to her music, an aspect that has been overlooked, particularly in sociological and cultural research on gender, emotions and music. Tori Amos’s female fans as a social phenomenon are vital for understanding the multi-layered relationships women can have with female singer/songwriters. At a time when superficial women dominate public media presentations, from the Kardashians to the “Real Housewives,” the relationship between Tori Amos and her fans illustrates the continuous search by women for female performers who challenge patriarchal standards in popular culture. Trier-Bieniek’s research serves as a springboard for further study of women in pop culture whose purpose is empower and provoke their fans, as well as change society.

How the immigration policies and popular culture of the 1980's fused to shape modern views on democracy In the 1980s, amid increasing immigration from Latin America, the Caribbean, and Asia, the circle of who was considered American seemed to broaden, reflecting the democratic gains made by racial minorities and women. Although this expanded circle was increasingly visible in the daily lives of Americans through TV shows, films, and popular news media, these gains were circumscribed by the discourse that certain immigrants, for instance single and working mothers, were feared, censured, or welcomed exclusively as laborers. In The Cultural Politics of U.S. Immigration, Leah Perry argues that 1980s immigration discourse in law and popular media was a crucial ingredient in the cohesion of the neoliberal idea of democracy. Blending critical legal analysis with a feminist media studies methodology over a range of sources, including legal documents, congressional debates, and popular media, such as Golden Girls, Who’s the Boss?, Scarface, and Mi Vida Loca, Perry shows how even while “multicultural” immigrants were embraced, they were at the same time disciplined through gendered discourses of respectability. Examining the relationship between law and culture, this book weaves questions of legal status and gender into existing discussions about race and ethnicity to revise our understanding of both neoliberalism and immigration.