A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

Madhu Natisar Nath is a Rajasthani farmer with no formal schooling. He is also a singer, a musician, and a storyteller. At the center of A Carnival of Parting are Madhu Nath's oral performances of two linked tales about the legendary Indian kings, Bharthari of Ujjain and Gopi Chand of Bengal. Both characters, while still in their prime, leave thrones and families to be initiated as yogis - a process rich in adventure and melodrama, one that offers unique insights into popular Hinduism's view of world renunciation. Ann Grodzins Gold presents these living oral epic traditions as flowing narratives, transmitting to Western readers the interactive dimensions, the moods, and the pleasures of a village bard's performance. Three introductory chapters and an interpretive afterword, together with an appendix on the bard's language by David Magier, supply A Carnival of Parting with a richly detailed ethnographic, historical, and cultural backdrop. Gold gives a frank and engaging portrayal of the bard Madhu Nath and her work with him. She examines the Nath caste and their oral epic traditions as an important stream within North Indian Hinduism, showing how Madhu Nath's versions of Bharthari's and Gopi Chand's well-known tales surface as distinctive moments within complex legendary and historical currents. While embellished with miraculous displays of magical powers and evocative of profound spiritual dedication, the tales translated here are most profoundly concerned, Gold argues, with human rather than divine realities. In a compelling afterword, she highlights the thematic emphases on politics, love, and death. Although both narratives frequently invoke as ultimate authority the causal black hole of fate, they in no way acquiesce to fatalism. Madhu Nath's vital colloquial telling of Bharthari's and Gopi Chand's stories depicts renunciation as inevitable and interpersonal attachments as doomed, yet celebrates human existence as a "carnival of parting."

The cult of the Kanphata Yogis is a definite unit within Hinduism, and its study is essential for understanding this phase of the religious life of India. In analysing the different aspects of this cult the author has drawn upon various sources, such as the legends, folk-lore and the formulated texts of this sect. The book is divided into three sections. The first two sections comprising chapters 1-13 deal with the cult and history of this sect. The third section containing chapters 14-16 opens with the Sanskrit Text Goraksasataka and its English rendering and annotations. It proceeds with the analysis of physiological concepts, chief aims and methods and then comes to conclusion. The subject matter of this study has been so arranged that the first two sections serve to illustrate the third. The book is fully documented. It has a Preface, Glossary, Bibliography, Plates and General Index.

"More comparable to Levi-Strauss's Tristes Tropiques than any other work of anthropology I know; but, in fact, the book I was most reminded of was not an anthropological work at all, but E. M. Forster's A Passage to India. . . a complex world complexly perceived and brilliantly recorded. . . . It is really a wonderful book."--Wendy Doniger, author of The Origins of Evil in Hindu Mythology

The authors cross the boundaries between anthropology, folklore, and history to cast new light on the relation between songs and stories, reality and realism, and rhythm and rhetoric in the expressive traditions of South Asia.