“Tender, comforting, and complex.” —Kirkus Reviews (starred review) “Drawn with exquisite precision and quiet dashes of humor.” —Publishers Weekly (starred review) “A lovely, ruminative selection.” —School Library Journal (starred review) “A blueprint for mindfulness and gratitude for the homes in which we…live.” —The New York Times Book Review Deborah Freedman’s masterful new picture book is at once an introduction to the pieces of a house, a cozy story to share and explore, and a dreamy meditation on the magic of our homes and our world. Before there was this house, there were stones, and mud, and a colossal oak tree— three hugs around and as high as the blue. What was your home, once? This poetically simple, thought-provoking, and gorgeously illustrated book invites readers to think about where things come from and what nature provides.

Grammy Award winner Rhiannon Giddens celebrates Black history and culture in her unflinching, uplifting, and gorgeously illustrated picture book debut. I learned your words and wrote my song. I put my story down. As an acclaimed musician, singer, songwriter, and cofounder of the traditional African American string band the Carolina Chocolate Drops, Rhiannon Giddens has long used her art to mine America’s musical past and manifest its future, passionately recovering lost voices and reconstructing a nation’s musical heritage. Written as a song to commemorate the 155th anniversary of Juneteenth—which was originally performed with famed cellist Yo-Yo Ma—and paired here with bold illustrations by painter Monica Mikai, Build a House tells the moving story of a people who would not be moved and the music that sustained them. Steeped in sorrow and joy, resilience and resolve, turmoil and transcendence, this dramatic debut offers a proud view of history and a vital message for readers of all ages: honor your heritage, express your truth, and let your voice soar, even—or perhaps especially—when your heart is heaviest.

Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.

The Song of Songs is redolent with poetic imagery, featuring as it does the love songs of a man and a woman as they explore their relationship. Down the centuries it has often been interpreted either as a sexually-charged love story or an entirely metaphorical imagining of the relationship between God and his people. In this deeply-felt book Charlie Cleverly argues that both interpretations are critical to a true understanding of this book that lies right at the heart of the Bible. If our relationships with one another and with God are not both fully in tune with our humanity, in all its richness, and with our spirituality in its highest form, then we will fall short of all we can be in our lives. Drawing on a wide range of sources, literary and theological and across the ages, Charlie Cleverly makes the case for a new, rounded understanding of this important book.

Gregory the Great (+604) was a master of the art of exegesis. His interpretations are theologically profound, methodologically fascinating, and historically influential. Nowhere is this more clearly seen than in his exegesis of the Song of Songs. Gregory’s interpretation of this popular Old Testament book not only owes much to Christian exegetes who preceded him, such as Origen, but also profoundly influenced later Western Latin exegetes, such as Bernard of Clairvaux.This volume includes all that Gregory had to say on the Song of Songs: his Exposition on the Song of Songs, the florilegia compiled by Paterius (Gregory’s secretary) and the Venerable Bede, and, finally, William of Saint Thierry’s Excerpts from the Books of Blessed Gregory on the Song of Songs. It is now the key resource for reading and studying Gregory’s interpretation of the Song of Songs.

"The Song of Songs is based upon messages given by Watchman Nee in 1934. This book was originally published in 1945 in Chungking, China."--Preface.