Roy Thomson Hall commemorates its 30th anniversary with this lavishly illustrated book tracing its history from Arthur Erickson's iconic design, to the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.

(Meredith Music Resource). An invaluable, quick reference tool for any teacher, performer or student of the piano who desires an extensive listing of the most significant works composed for solo piano. Accurate, concise and thoroughly researched entries provide an at-a-glance overview of a composer's output, with information on difficulty levels, opus numbers, movement titles, publisher sources and so forth. Whether searching for new material or refreshing one's perspective, this portable database of information will prove itself indispensable for repertoire study and planning. A must-have resource for any pianist's bookshelf or piano. (a href="http://youtu.be/FyL_dNk9z8w" target="_blank")Click here for a YouTube video on A Practical Guide to Solo Piano Music(/a)

Darius Milhaud, born in Provence in 1892, was one of the major composers of the twentieth century and also one of its most prodigious. Over 450 of his works have been catalogued (and listed in this volume), including operas, large and small, eighteen string quartets, twelve symphonies and thirty concertos, as well as such popular classics as Le Boeuf sur le toit, La Creation du monde, Suite provencal and the Suite francaise. In My Happy Life, completed in 1972, two years before the composer's death, Milhaud tells the full story of his own personal life and artistic development. A secretary to the playwright Paul Claudel, a close friend of Satie, Cocteau and Igor Stravinsky, Darius Milhaud was also a member, along with Georges Auric and Arthur Honneger, of the scandalous group of young French composers known simply as 'les Six.'. While often regarded during his lifetime as an open-minded musician of wide tastes whose music spanned many styles from avant-garde to jazz, he is revealed here as a thinker of note and a graceful writer. He depicts with great generosity of feeling the revolution that modern music has undergone this century and his own role in it, giving a clear account of his attitude towards his work and that of his fellow composers.