Alicia: I can't get a handle on the man and I'm not ready to tackle his cat, the lynx has claws. His mother encouraged me to work for him. I figure she had an agenda, if its setting Ken up, she doesn't understand her son. He's a shapeshifter, but the cat is a solitary hunter. How can I get close when he runs the other way? Ken: She's my employee. Bosses don't get cozy with the help. There are rules I'm supposed to follow. The damn lynx doesn't care. But I'm not blind, Alicia is a beautiful woman and my control is hanging by a claw.

Celebrate the beauty and strength of solitude with this poetic observation of the animal kingdom and those who move through it on their very own. That silvery cloud swimming in the sea is actually a school of fish. That splash and crash is a pod of whales, sounding. Behold, a fever of stingrays gliding by. But what do you call a group of octopuses? A tangle of octopuses? A chandelier of octopuses? A multipus of octopuses? No, octopuses prefer to be alone. The octopus is a solitary animal. This lyrical, nonfiction text honors animals who live in solitude, in contrast to others who live in groups. Against a backdrop of the specific names of various animal tribes (a parade of elephants, a tower of giraffes, a dazzle of zebras), Stein shines a spotlight on those animals who go through life on their own. With nature at his back, Stein invites readers to draw strength and comfort from the behaviors of fellow animals. Perfect for children who are introverted or tend to be alone, and their parents...as well as all children, who will be encouraged to respect the "natural" choices of their peers.

Mary Paetzel describes her intimate encounters with solitary wasps and bees, over a 30 year odyssey in the Siskiyou Mountains of SW Oregon. Mary describes the behaviors and lives of these tiny non-aggressive insects.

The intertwined story of a cougar and a man that portrays the strength, vulnerability, and consciousness of two top predators. Not since Life of Pi have we encountered such transcendence or walked so fully in the footsteps of a big cat. The “Old Woman” lives in the wild, searching for food, raising her cubs, and avoiding the two-legged creatures who come into her territory. But she is more than an animal — she is a mythic creature who haunts the lives and the dreams of men. Joseph Brandt has been captivated by the mountain lion’s legend since childhood, and one day he steps into the forest to seek her out. A classic in the making, The Hunter and the Old Woman is a mesmerizing portrait of two animals united by a shared destiny.

At the end of the nineteenth century, Theodore Roosevelt, T. S. Van Dyke, and other elite men began describing their big-game hunting as “manly sport with the rifle.” They also began writing about their experiences, publishing hundreds of narratives of hunting and adventure in the popular press (and creating a new literary genre in the process). But why did so many of these big-game hunters publish? What was writing actually doing for them, and what did it do for readers? In exploring these questions, The Hunter Elite reveals new connections among hunting narratives, publishing, and the American conservation movement. Beginning in the 1880s these prolific hunter-writers told readers that big-game hunting was a test of self-restraint and “manly virtues,” and that it was not about violence. They also opposed their sportsmanlike hunting to the slaughtering of game by British imperialists, even as they hunted across North America and throughout the British Empire. Their references to Americanism and manliness appealed to traditional values, but they used very modern publishing technologies to sell their stories, and by 1900 they were reaching hundreds of thousands of readers every month. When hunter-writers took up conservation as a cause, they used that reach to rally popular support for the national parks and for legislation that restricted hunting in the US, Canada, and Newfoundland. The Hunter Elite is the first book to explore both the international nature of American hunting during this period and the essential contributions of hunting narratives and the publishing industry to the North American conservation movement.