On Freedom's Frontier offers a personal look at what it was like to live along Germany's East-West border during the Cold War. Over forty men and women who lived and worked along the Fulda Gap contributed their memories to paint a vivid picture of every day life during this interesting time in history. This is one of several anthologies compiled by the Museum of the American Military Family as part of its mission to show history from many perspectives. Proceeds from Freedom's Frontier will help the museum further its work and its writer-in-residence program. Freedom's Frontier was funded, in part, by a generous grant from Bernalillo County, New Mexico.

More than 5,000 North Carolina slaves escaped from their white owners to serve in the Union army during the Civil War. In Freedom for Themselves Richard Reid explores the stories of black soldiers from four regiments raised in North Carolina. Constructing a multidimensional portrait of the soldiers and their families, he provides a new understanding of the spectrum of black experience during and aftger the war.

[A] well-written, comprehensively researched biography.--Publishers Weekly "Will both edify the scholar while captivating and entertaining the general reader. . . . Cutrer's research is impeccable, his prose vigorous, and his life of McCulloch likely to remain the standard for many years.--Civil War "A well-crafted work that makes an important contribution to understanding the frontier military tradition and the early stages of the Civil War in the West.--Civil War History "A penetrating study of a man who was one of the last citizen soldiers to wear a general's stars.--Blue and Gray "A brisk narrative filled with colorful quotations by and about the central figure. . . . Will become the standard biography of Ben McCulloch.--Journal of Southern History "A fast-paced, clearly written narrative that does full justice to its heroically oversized subject.--American Historical Review

Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.