Jill Osier's poems of quiet attention comprise this 114th volume of the Yale Series of Younger Poets The hollow more than shape is certain. The 114th volume of the Yale Series of Younger Poets features Jill Osier's poems of quiet attention to the human and natural worlds. Series judge and critically acclaimed poet Carl Phillips notes, "Osier's is a sensibility unlike any I've encountered before--the poems here are thrilling, and strangely new." In his foreword to the collection, Phillips writes, "Certain mysteries--most of them--remain mysteries in an Osier poem." Despite this, Osier's poetry--distinguished by its brevity, precision, and restraint--offers what Phillips describes as feeling "incongruously (dare I say magically?) like closure, a steady place to land."

Poetry. "As with some singing voices, there are poetic voices of such direct authority and clarity that they capture our deep engagement almost before we are aware that we have begun to listen. Jill Osier's is such a voice. Like Franz Schubert's song-cycle Winterreise, these poems of Osier's take us on a lonely winter-journey through a stripped-down world, in which, as she says, 'all the roads are well worn, all the wagons breaking.' Because the poems, each a small, superb vignette with a different angle of light or insight, comprise a true and transformational sequence, after Osier has performed her winter pageant for us, we are not the same people as when we began. To survive in winter, one must go inside, literally and figuratively, and with aching simplicity and sensuality of voice, that is what Osier does. But as much as she presents winter as 'the correctional, ' a chastening and humbling space-time that every life must eventually experience, inside Osier's ice is fire. Indeed, she feeds the stove of these poems with such wit and feeling that it's warm enough inside to take off your shirt and make love and she does, and we do." Patrick Donnelly"

Lost Lullaby makes one think the unthinkable: how a loving parent can pray for the death of her child. It is Deborah Alecson's story of her daughter, Andrea, who was born after a full-term, uneventful pregnancy, weighing 7 pounds 11 ounces, perfectly formed and exquisitely featured. But an inexplicable accident at birth left her with massive and irreversible brain damage. On a vitality scale of one to ten, her initial reading was one. And so begins Deborah Alecson's heart-rending struggle to come to terms with two desperately conflicting and powerful emotions: her desire to nurture and love Andrea, and her desire to do everything in her power to bring about her death. Told in a mother's voice, with a simplicity and directness that heighten the intensity of the drama that unfolds, Lost Lullaby reaffirms the human dimension of what is too often an abstract and purely theoretical discussion. During the two months that Andrea spent in the Infant Intensive Care Unit, Ms. Alecson spoke with lawyers, doctors, and ethicists in an effort to understand the legal, medical and ethical implications of her plight. She recounts those discussions and describes legal cases that have a direct bearing on her own situation. Her battle—both in coming to the agonizing decision to let her child die and in convincing the medical and legal establishments to respect that decision—will engender empathy for the plight of many families, and an awareness of the need to use medical technology with restraint. It is a must-read for everyone who cares about how we make life-and-death decisions on these new medical, legal, and moral frontiers.

Poetry. Jill Osier, winner of the 2017 Alice Fay Di Castagnola Award, returns to Bull City Press with a new chapbook. "These poems shine with the deep intelligence of gentleness and of a quiet, sustained concern. To read them is to be reminded of Robert Creeley's passionate advocacy of Hart Crane, a passion that reached crescendo in the exclamation (in a letter to Charles Olson) 'Dammit, isn't that gentle!' Here is a poet whose primary commitment is to attention, a poet who simultaneously understands and avows that attention is now and ever shall be the vivid prime of Love. I neither blush nor hesitate to say that such avowal is literally angelic. This poet's 'Requiem' gently but unequivocally proposes point-of-view as an angelic imperative, gentle on its very face: 'Try / to remember the smell of sun through it all. It's / a rare courtship.' Love courts attention, and attention in return is both courted and empowered by love. The upshot? 'There was a beating / of silence then, until it was a new quiet...' It is the bright substance of this 'new quiet' I am happy to welcome and to acknowledge. It is surely the peaceable frontier of joy."--Donald Revell

-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---

Originated in 1919 to showcase the works of exceptional American poets under the age of forty, the Yale Series of Younger Poets prize is the oldest annual literary award presented in the United States. Ansel Elkins’s poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her “arresting use of persona,” calling her poems “razor-edged in their intelligence, Southern Gothic in their sensibility.” In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose “otherness” has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.

This year’s winner of the Yale Series of Younger Poets competition is Loren Goodman’s Famous Americans. Hilarious, eclectic, and bizarre, this collection takes the reader on a rollercoaster of a ride through the absurdities of American pop culture. Employing a variety of forms (from epistolary to script to interview and beyond), this work proves to be as much about exploring frameworks as it is about examining the lives of famous and not-so-famous Americans. Goodman questions our concept of what it means to be an icon: he disrupts our assumptions, creating an alternate universe in which nothing remains sacred.