Human embryos and foetuses are highly public and contested figures. Their visual images appear across a wide range of forums. They have become commercial commodities as part of the IVF industry and are the focus of intense debates regarding concepts of personhood. This book discusses these issues, drawing on social and cultural theory and research.

We are born, live, and die with technologies. This book is about the role technology plays in sustaining narratives of living, dying, and coming to be. Contributing authors examine how technologies connect, disrupt, or help us reorganize ways of parenting and nurturing life. They further consider how technology sustains our ways of thinking and being, hopefully reconciling the distance between who we are and who we aspire to be. Finally, they address the role technology plays in helping us come to terms with death, looking at technologically enhanced memorials, online rituals of mourning, and patterns of grief enabled through technology. Ultimately, this volume is about using technology to reimagine the art of life.

This focused and incisive study reassesses the historic collaboration between James Clerk Maxwell and Thomas Sutton. It reveals that Maxwell and Sutton were closer to true partners than has commonly been assumed, and shows how their experiments illuminate the role of technology, representation, and participation in Maxwell's natural philosophy.

It is now possible for physicians to recognize that a pregnant woman's fetus is facing life-threatening problems, perform surgery on the fetus, and if it survives, return it to the woman's uterus to finish gestation. Although fetal surgery has existed in various forms for three decades, it is only just beginning to capture the public's imagination. These still largely experimental procedures raise all types of medical, political and ethical questions. The Making of the Unborn Patient examines two important and connected events of the second half of the 20th century: the emergence of fetal surgery as a new medical specialty and the debut of the unborn patient.

In this timely and richly illustrated book, a group of multidisciplinary scholars explores the uses and handlings of fetuses, still-born, reproductive organs, and pregnant bodies for knowledge production, including the development of vaccines and pharmaceuticals, in Sweden over five hundred years. By examining the conflicted values and balancing acts of a variety of actors, such as medical experts, legal officials, policymakers, media professionals, disability organizations, and women’s movements, it demonstrates how the uses of aborted fetuses for research generated public controversy and became regulated by ethics and law in Sweden. Contributors are: Eva Åhrén, Annika Berg, Elisabet Björklund, Maria Björkman, Maja Bondestam, Isa Dussauge, Helena Franzén, Solveig Jülich, Francis Lee, Tove Paulsson Holmberg, Morag Ramsey, Anton Runesson, Helena Tinnerholm Ljungberg, and Anna Tunlid.

Due to new developments in prenatal testing and therapy the fetus is increasingly visible, examinable and treatable in prenatal care. Accordingly, physicians tend to perceive the fetus as a patient and understand themselves as having certain professional duties towards it. However, it is far from clear what it means to speak of a patient in this connection. This volume explores the usefulness and limitations of the concept of ‘fetal patient’ against the background of the recent seminal developments in prenatal or fetal medicine. It does so from an interdisciplinary and international perspective. Featuring internationally recognized experts in the field, the book discusses the normative implications of the concept of ‘fetal patient’ from a philosophical-theoretical as well as from a legal perspective. This includes its implications for the autonomy of the pregnant woman as well as its consequences for physician-patient-interactions in prenatal medicine.

Selected as the "Most Enduring Edited Collection" by the Council on Anthropology and Reproduction Since Roe v. Wade, there has been increasing public interest in fetuses, in part as a result of effective antiabortion propaganda and in part as a result of developments in medicine and technology. While feminists have begun to take note of the proliferation of fetal images in various media, such as medical journals, magazines, and motion pictures, few have openly addressed the problems that the emergence of the fetal subject poses for feminism. Fetal Subjects, Feminist Positions foregrounds feminism's effort to focus on the importance of women's reproductive agency, and at the same time acknowledges the increasing significance of fetal subjects in public discourse and private experience. Essays address the public fascination with the fetal subject and its implications for abortion discourse and feminist commitment to reproductive rights in the United States. Contributors include scholars from fields as diverse as anthropology, communications, political science, sociology, and philosophy.