The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that ‘things’ – sounds, samples, and recorded music – and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.

In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

The power of music to influence mood, create scenes, routines and occasions is widely recognised and this is reflected in a strand of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few attempts to specify this power empirically and to provide theoretically grounded accounts of music's structuring properties in everyday experience. Music in Everyday Life uses a series of ethnographic studies - an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector - as well as in-depth interviews to show how music is a constitutive feature of human agency. Drawing together concepts from psychology, sociology and socio-linguistics it develops a theory of music's active role in the construction of personal and social life and highlights the aesthetic dimension of social order and organisation in late modern societies.

THE HABITAT Nairobi National Park lies to the south-southeast of the capital of Kenya, Nairobi, where the Athi Plains meet the Eastern escarpment of the Rift Valley. These plains form part of the semi-arid highland plateau lying between the coast and the Rift Valley. Both the city itself, and the Park bordering it, are a meeting place of two generally distinct types of landscape and climate. While to the east-southeast are semi-arid plains with grasslands and scattered trees, the western-north western parts are higher, hilly, cooler, more humid and support lush forests. The combination of latitude-a little over one degree south of the Equator -and altitude-average of 1600 m. (5000-5500 ft.) -combine to give Nairobi a most equable climate where the temperature varies during the year between about 11 degrees and 27 degrees centigrade (mean minimum and mean maximum for eight years). However, considerable changes are usually experienced within each day and a rise from 14 degrees C at 0600 hours to 22 degrees at 1100 hours is not unusual. Nairobi Park has a unique concentration of wild animals living in their natural habitat less than 10 km. from the centre of a modern city of half a million people. The only interference with the natural course of events in the Park is that normally required for the proper management of a game park, such as maintenance of roads and dams, and, in this particular case, partial fencing towards the city.

"Like many other South American Indian communities, the Suya Indians of Mato Grosso, Brazil, devote a great deal of time and energy to making music, especially singing. In paperback for the first time, Anthony Seeger's Why Suya Sing considers the reasons for the importance of music for the Suya - and by extension for other groups - through an examination of myth telling, speech making, and singing in an initiation ceremony." "This new paperback edition features a CD offering examples of the myth telling, speeches, and singing discussed, as well as a new afterword that describes the continuing use of music by the Suya in their recent conflicts with cattle ranchers and soybean farmers." -- Prové de l'editor.

This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader's Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.