Explores the politics of theatrical and social performance in the establishment of eighteenth-century British imperial rule.

In Reading the East India Company, Betty Joseph offers an innovative account of how archives—and the practice of archiving—shaped colonial ideologies in Britain and British-controlled India during the eighteenth and nineteenth centuries. Drawing on the British East India Company's records as well as novels, memoirs, portraiture and guidebooks, Joseph shows how the company's economic and archival practices intersected to produce colonial "fictions" or "truth-effects" that strictly governed class and gender roles—in effect creating a "grammar of power" that kept the far-flung empire intact. And while women were often excluded from this archive, Joseph finds that we can still hear their voices at certain key historical junctures. Attending to these voices, Joseph illustrates how the writing of history belongs not only to the colonial project set forth by British men, but also to the agendas and mechanisms of agency—of colonized Indian, as well as European women. In the process, she makes a valuable and lasting contribution to gender studies, postcolonial theory, and the history of South Asia.

By the nineteenth century the British had ruled India for over a hundred years, and had consolidated their power over the sub-continent. Until 1858, when Queen Victoria assumed sovereignty following the Indian Rebellion, the country was run by the East India Company - by this time a hybrid of state and commercial enterprises and eloquently and fiercely attacked as intrinsically immoral and dangerous by Edmund Burke in the late 1700s. Seeking to go beyond the statutes and ceremony, and show the reality of the interactions between rulers and ruled on a local level, this book looks at one of the most interesting phenomena of British India - the 'Eurasians'. The adventurers of the early years of Indian occupation arrived alone, and in taking 'native' mistresses and wives, created a race of administrators who were 'others' to both the native population and the British ruling class. These Anglo-Indian people existed in the zone between the colonizer and the colonized, and their history provides a wonderfully rich source for understanding Indian social history, race and colonial hegemony.

This book analyses the status of women in Bengal, India, by examining the versatile everyday living conditions of women, and how they are represented as individuals and as a category in the media. Contributors to the book start their discussion from the point that women in India have a varied experience of living, thinking, and acting specific to the regional cultural context. Caste ideology specified privileges and sanctions according to innate attributes, differ by sex as well as ethnicity, class, caste, minority status, and marginal position intersect lives and render unique life experiences. With a focus on women and their lived experiences, performances by them and performances imitating women’s roles, the book offers a complex and rich analysis of the reality of women’s lives based on research and reflections by 25 scholars. Organised into two sections, the book presents women in reality, their living conditions, struggles, and women as represented in films, stories, framed in plots sometimes by women and sometimes by men. The chapters provide insights on how institutionalised gender distinctions create subordination and marginality of women and their struggles to survive in a society dominated by heteropatriarchal ideology and its practice. This book improves our understanding of various dimensions of gender and transgender relations in India. It will be of interest to researchers in Gender Studies, South Asian Culture and Society, and Studies on India.