In 1965, nineteen-year-old Robin Farnham believes he ran over an old man but on stopping his car, he finds no body, merely a gold bracelet of a snake biting its tail. In 1981, sixteen-year-old Jane Foster (16) is sexually abused by her adoptive father and attacks him before fleeing to London where she consults Dr Peter Lakmaker, a psychiatrist.

An ancient prophecy divides two sisters- One good... One evil... Who will prevail? Twin sisters Lia and Alice Milthorpe have just become orphans. They have also become enemies. As they discover their roles in a prophecy that has turned generations of sisters against each other, the girls find themselves entangled in a mystery that involves a tattoo-like mark, their parents' deaths, a boy, a book, and a lifetime of secrets. Lia and Alice don't know whom they can trust. They just know they can't trust each other.

The Origins and History of Consciousness draws on a full range of world mythology to show how individual consciousness undergoes the same archetypal stages of development as human consciousness as a whole. Erich Neumann was one of C. G. Jung's most creative students and a renowned practitioner of analytical psychology in his own right. In this influential book, Neumann shows how the stages begin and end with the symbol of the Uroboros, the tail-eating serpent. The intermediate stages are projected in the universal myths of the World Creation, Great Mother, Separation of the World Parents, Birth of the Hero, Slaying of the Dragon, Rescue of the Captive, and Transformation and Deification of the Hero. Throughout the sequence, the Hero is the evolving ego consciousness. Featuring a foreword by Jung, this Princeton Classics edition introduces a new generation of readers to this eloquent and enduring work.

How the Snake Got Its Tail is a modern day children's fable about the twin snakes, To and Fro. To is drawn to happiness and light, Fro is drawn into the darkness. This fable is a children's tale of right and wrong, good and evil, presented with beautiful Illustrations that any child will love. It's ultimate lesson is the gift of life.

According to the Bible, the number (8) has a special meaning for God, as He chose the 8th day to mark the beginning of the new week. Everything that has a new beginning in the Bible has the number (8) associated with it. Number (8) is the personal number of Jesus. When we add together the (letter values) of the name Jesus in Greek, we get 888. Jesus was called The Christ, the (numerical value) of this title is 1480 (185 x 8). He was Saviour which has the value of 1408 (2 x 8 x 88). Messiah has a (numerical value) of 656 (82 x8). Jesus also called himself the Son of man. The term occurs 88 times and is valued at 2960 (370 x 8). Jesus said, "I am the truth": the (numerical value) of "the truth" is 64 (8 x 8). The last book in the Bible is the Revelation of Jesus Christ, which has exactly 888 Greek words.

A "courageous and singular book" (Andrew Solomon), Memory's Last Breath is an unsparing, beautifully written memoir -- "an intimate, revealing account of living with dementia" (Shelf Awareness). Based on the "field notes" she keeps in her journal, Memory's Last Breath is Gerda Saunders' astonishing window into a life distorted by dementia. She writes about shopping trips cut short by unintentional shoplifting, car journeys derailed when she loses her bearings, and the embarrassment of forgetting what she has just said to a room of colleagues. Coping with the complications of losing short-term memory, Saunders, a former university professor, nonetheless embarks on a personal investigation of the brain and its mysteries, examining science and literature, and immersing herself in vivid memories of her childhood in South Africa. "For anyone facing dementia, [Saunders'] words are truly enlightening . . . Inspiring lessons about living and thriving with dementia." -- Maria Shriver, NBC's Today Show

The work of Jacques Derrida can be seen to reinvent most theories. In this book Robert Smith offers both a reading of the philosophy of Derrida and an investigation of current theories of autobiography. Smith argues that for Derrida autobiography is not so much subjective self-revelation as relation to the other, not so much a general condition of thought as a general condition of writing - what Derrida calls the 'autobiography of the writing' - which mocks any self-centred finitude of living and dying. In this context, and using literary-critical, philosophical, and psychoanalytical sources, Smith thinks through Derrida's texts in a new, but distinctly Derridean, way, and finds new perspectives to analyse the work of classical writers including Hegel, Nietzsche, Kierkegaard, Freud, and de Man.