Introduction by John Caputo and Afterword by Slavoj Žižek The triumph of American political conservatism in the last two decades has been paralleled by the ascendance of Christian evangelicalism. More importantly, the political Campaigns of 2000 and 2004 marked a convergence between these two political entities with an effectiveness never before seen in national elections. On the one side, conservatives have successfully set the terms of debate around so-called "family values" and the status of religion in the public sphere. On the other side, evangelicals have mobilized in a new self-awareness of their formidable political power and now demand representation at all levels of government. Upon what fundamental ideas does this convergence rest? What potential dangers does it present for the concepts of "religion," "politics" and "America"? How secure is this alliance, and what does each side sacrifice in order to sustain it? Must all religion in America now become similarly engaged in the political sphere? This volume is a collection of articles by a group of young scholars addressing the nexus between political conservatism, evangelical Christianity, and American consumerist culture.

Introduction by John Caputo and Afterword by Slavoj Žižek The triumph of American political conservatism in the last two decades has been paralleled by the ascendance of Christian evangelicalism. More importantly, the political Campaigns of 2000 and 2004 marked a convergence between these two political entities with an effectiveness never before seen in national elections. On the one side, conservatives have successfully set the terms of debate around so-called "family values" and the status of religion in the public sphere. On the other side, evangelicals have mobilized in a new self-awareness of their formidable political power and now demand representation at all levels of government. Upon what fundamental ideas does this convergence rest? What potential dangers does it present for the concepts of "religion," "politics" and "America"? How secure is this alliance, and what does each side sacrifice in order to sustain it? Must all religion in America now become similarly engaged in the political sphere? This volume is a collection of articles by a group of young scholars addressing the nexus between political conservatism, evangelical Christianity, and American consumerist culture.

Alexis de Tocqueville once wrote that "the people reign over the American political world like God over the universe," unwittingly casting democracy as the political instantiation of the death of God. According to Jeffrey W. Robbins, Tocqueville's assessment remains an apt observation of modern democratic power, which does not rest with a sovereign authority but operates as a diffuse social force. By linking radical democratic theory to a contemporary fascination with political theology, Robbins envisions the modern experience of democracy as a social, cultural, and political force transforming the nature of sovereign power and political authority. Robbins joins his work with Michael Hardt and Antonio Negri's radical conception of "network power," as well as Sheldon Wolin's notion of "fugitive democracy," to fashion a political theology that captures modern democracy's social and cultural torment. This approach has profound implications not only for the nature of contemporary religious belief and practice but also for the reconceptualization of the proper relationship between religion and politics. Challenging the modern, liberal, and secular assumption of a neutral public space, Robbins conceives of a postsecular politics for contemporary society that inextricably links religion to the political. While effectively recasting the tradition of radical theology as a political theology, this book also develops a comprehensive critique of the political theology bequeathed by Carl Schmitt. It marks an original and visionary achievement by the scholar the Journal of the American Academy of Religion hailed "one of the best commentators on religion and postmodernism."

A man who sleeps for twenty years in the Catskill Mountains wakes to a much-changed world.

Sixteen-year-old Rosalinda Fitzroy, heir to the multiplanetary corporation UniCorp, is awakened after sixty years in stasis to find that everyone she knew has died and as she tries to make a new life for herself, learns she is the target of a robot assassin.

In this spectacular New York Times bestselling father/son collaboration that “barrels along like a freight train” (Publishers Weekly), Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare. One woman, the mysterious “Eve Black,” is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanted to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world. Set in a small Appalachian town whose primary employer is a woman’s prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.

From Naked Juice® to nude yoga, contemporary society is steeped in language that draws a connection from nudity to nature, wellness, and liberation. This branding promotes a "free and natural" lifestyle to mostly white and middle-class Americans intent on protecting their own bodies—and those of society at large—from overwork, environmental toxins, illness, conformity to body standards, and the hyper-sexualization of the consumer economy. How did the naked body come to be associated with "naturalness," and how has this notion influenced American culture? Free and Natural explores the cultural history of nudity and its impact on ideas about the body and the environment from the early twentieth century to the present. Sarah Schrank traces the history of nudity, especially public nudity, across the unusual eras and locations where it thrived—including the California desert, Depression-era collectives, and 1950s suburban nudist communities—as well as the more predictable beaches and resorts. She also highlights the many tensions it produced. For example, the blurry line between wholesome nudity and sexuality became impossible to sustain when confronted by the cultural challenges of the sexual revolution. Many longtime free and natural lifestyle enthusiasts, fatigued by decades of legal battles, retreated to private homes and resorts while the politics of gay rights, sexual liberation, environmentalism, and racial equality of the 1970s inspired a new generation of radical advocates of public nudity. By the dawn of the twenty-first century, Schrank demonstrates, a free and natural lifestyle that started with antimaterialist, back-to-the-land rural retreats had evolved into a billion-dollar wellness marketplace where "Naked™" sells endless products promising natural health, sexual fulfilment, organic food, and hip authenticity. Free and Natural provides an in-depth account of how our bodies have become tethered so closely to modern ideas about nature and identity and yet have been consistently subjected to the excesses of capitalism.