This book details out the esoteric history of biological warfare in a way that no other book has done, based on only official records, documents, science and medical journals, former intelligence officers, and more. The history of this war goes much deeper than any other book on the subject has presented, based on understandings and studies of science that have been purposefully buried and obscured. The author collected and studied the work of one of history's most exceptional yet infamous pioneers in virology and immunology, a German scientist by the name of Dr. Erich Traub, for several years, in the process of writing this book, a process which perhaps no one else has managed to undertake, until now.

This book examines the figure of the sleeper agent as part of post-9/11 political, journalistic and fictional discourse. There is a tendency to discuss the terroristic threat after 9/11 as either a faraway enemy to be hunted down by military force or, on the other hand, as a ubiquitous, intangible threat that required constant alertness at home. The missing link between these two is the sleeper agent – the foreign enemy hiding among US citizens. By analyzing popular television shows, several US comic books, and a broad variety of Hollywood films that depict sleeper agents direct or allegorically, this book explores how a shift in perspective—from terrorist to sleeper agent—brings new insights into our understanding of post-9/11 representations of terrorism. The book’s interdisciplinary focus between media studies, cultural studies, and American studies, suggests that it will find an audience in a variety of fields, including historical research, narratology, popular culture, as well as media and terrorism studies.

Is another Hitler rising to power? Tom Jaeger’s war with the Nazis began the day World War II ended . . . During those last days in the bunker, Hitler and Bormann created a plan that would perpetuate the cause of Nazism long after they were dead. A small band of highly trained agents were to be planted all over the world, someday to come together and bring final glory to the Fatherland. Rudolph Kessler was one of those sleeper agents. He was letter-perfect in English, incredibly smart, and highly resourceful. All he had to do was get through the enemy lines once the war was over, make his way to the United States, and then prepare incognito for the precise moment when the worldwide Fascist movement would once again rear its ugly head. And only one man stood in his way: Tom Jaeger. Only Tom understood the lethal, far-ranging depths of this daring plan. And he couldn’t get anyone to listen—except for one woman . . .

"The little-known story of a spy on the atom-bomb project in World War II who had top security clearance -- American born, Soviet trained, he was never even suspected until after his information was in Soviet hands and he was safe in the USSR. It's LeCarre and "The Americans" for real"--

Born in Los Angeles, California, Jolie is the daughter of actors Jon Voight and Marcheline Bertrand. She is the sister of actor James Haven, niece of singer-songwriter Chip Taylor, and goddaughter of actors Jacqueline Bisset and Maximilian Schell. On her father's side, Jolie is of German and Slovak descent, and on her mother's side, she is of primarily French Canadian, Dutch, and German ancestry, as well as of distant Huron heritage.

This volume investigates the perception of threat, with particular regard to the roles, functions, and agencies of various types of media. With a focus on the profound impact of the terrorist attacks on September 11, 2001 on the US-American political, social, and cultural order, the chapters reach from the early days after the attacks up to the 2016 election of Donald J. Trump. An international team of contributors analyze how the perceived threats and their subsequent representations changed during this period and what part different forms of media - media institutions, media technologies, and media formats - played within these transformations. Media theoretical perspectives are thus combined with historical approaches to examine the "re-ordering" of the nation, the state, and society proposed in an increasingly converging, multimodal, and networked media environment. This book’s focus on the interrelation between Media Studies, Cultural Studies, and American Studies makes it an indispensable landmark for fields such as Historical Research, Media Theory, Narratology, and Popular Culture Studies.