In The Sleep of Behemoth, Jehangir Yezdi Malegam explores the emergence of conflicting concepts of peace in western Europe during the High Middle Ages. Ever since the early Church, Christian thinkers had conceived of their peace separate from the peace of the world, guarded by the sacraments and shared only grudgingly with powers and principalities. To kingdoms and communities they had allowed attenuated versions of this peace, modes of accommodation and domination that had tranquility as the goal. After 1000, reformers in the papal curia and monks and canons in the intellectual circles of northern France began to reimagine the Church as an engine of true peace, whose task it was eventually to absorb all peoples through progressive acts of revolutionary peacemaking. Peace as they envisioned it became a mandate for reform through conflict, coercion, and insurrection. And the pursuit of mere tranquility appeared dangerous, and even diabolical. As Malegam shows, within western Christendom’s major centers of intellectual activity and political thought, the clergy competed over the meaning and monopolization of the term "peace," contrasting it with what one canon lawyer called the "sleep of Behemoth," a diabolical "false" peace of lassitude and complacency, one that produced unsuitable forms of community and friendship that must be overturned at all costs. Out of this contest over the meaning and ownership of true peace, Malegam concludes, medieval thinkers developed theologies that shaped secular political theory in the later Middle Ages. The Sleep of Behemoth traces this radical experiment in redefining the meaning of peace from the papal courts of Rome and the schools of Laon, Liège, and Paris to its gradual spread across the continent and its impact on such developments as the rise of papal monarchism; the growth of urban, communal self-government; and the emergence of secular and mystical scholasticism.

A journal devoted to the discussion of political, economic, and sociological questions.

Shannon’s Imperial Circus was a jinxed space-carny leased for a mysterious tour of the inner worlds. It made a one-night pitch on a Venusian swamp-town—to find that death stalked it from the jungle in a tiny ball of flame. Leigh Brackett was the undisputed Queen of Space Opera and the first women to be nominated for the coveted Hugo Award. She wrote short stories, novels, and scripts for Hollywood. She wrote the first draft of the Empire Strikes Back shortly before her death in 1978.

A 2020 LOCUS AWARD FINALIST Jeff VanderMeer's Dead Astronauts presents a City with no name of its own where, in the shadow of the all-powerful Company, lives human and otherwise converge in terrifying and miraculous ways. At stake: the fate of the future, the fate of Earth—all the Earths. A messianic blue fox who slips through warrens of time and space on a mysterious mission. A homeless woman haunted by a demon who finds the key to all things in a strange journal. A giant leviathan of a fish, centuries old, who hides a secret, remembering a past that may not be its own. Three ragtag rebels waging an endless war for the fate of the world against an all-powerful corporation. A raving madman who wanders the desert lost in the past, haunted by his own creation: an invisible monster whose name he has forgotten and whose purpose remains hidden.

On the eve of achieving everything he has always worked for, Yukihiro finds his world suddenly shattered. Gentle Sensei Naha, who had been both teacher and father to him, has expelled him from the dojo in a blind and inexplicable rage. The darkly beautiful Aki, who had promised to become his wife, has been carried off by the insatiable warlord Takara. And Yukihiro, only yesterday his province’s most celebrated young warrior, now finds himself in exile, disguised in beggar’s rags, searching for answers. To uncover them, and to survive the mortal challenges his enemies have in store, he will have to go beyond all he knows of the way of the warrior, and begin to grasp the way of the master.

Examines social contexts of the Gospel and Epistles of John from the perspective of sociolinguistic theory of register, with reference to the Johannine Community model.

First published in 1959, Fade Out is a stunning, surreal criticism of American life in the materialistic, youth-and money-crazed 1950s. Its hero is Dick Twombley, a 74-year old retired bank clerk who struggles to retain what remains of his dignity in a world that regards old age as an embarrassment. When he is mistakenly accused of kidnapping two little girls he has befriended, Dick's daughter packs him off to a suburban New York City retirement home. He soon makes his escape with the help of a fellow inmate, and together the two "fugitives from injustice" embark on a cross-country odyssey that lands them in the abandoned hotel of an Arizona ghost town.