What are we, as human beings, slaves to? Childhood traumas? What someone else decided we should be? An unfulfilling relationship, a job we don't like or the tedious routine of our lives? Mexican writer and spiritual teacher Anand Dilvar's phenomenal book The Slave is the story of a nameless narrator who is trapped in a vegetative state following a terrible accident that has paralyzed his whole body. Unable to communicate with friends and family, he begins an inner conversation with his spiritual guide, which leads him onto an emotional and raw journey of self-realization. Dilvar's beautiful and reflective story of an unconscious man, who is a slave to the many mistakes and failures he has made in his life, shares with readers lessons that will leave them reflecting long past the final page. As his spiritual guide teaches him lessons on love, failure, suffering and forgiveness, time is ticking: will the doctors decide to pull the plug, or will our narrator get to live one more day for the chance to see his loved ones?

The novel opens with Sangora van Java on the block, a 'Mohametan' slave who is being sold for preaching his belief to others. Andries de Villiers, a hard-nosed wine farmer, purchases Sangora, despite his suspicion that the tall slave could spell trouble. On impulse, he also bids for Sangora's 16-year-old stepdaughter, Somiela, but not for the girl's mother ' thereby separating the family. The first days on Zoetewater are traumatic, but both father and stepdaughter survive and find comfort in the unity amongst the slaves on the farm. It is when Harman Kloot, an Afrikaner of mixed blood, arrives from the interior that a second, major crisis develops: Harman is torn between duty to his group and love of a girl who belongs to a different culture and faith. Whatever decision he makes will be seen as betrayal, either of his own people or of the slave community with whom he has found common ground. The Slave Book presents a microcosm of South African society and of the country's past. Without prejudice, it portrays the different traditions, cultures and faiths of the time, and the tension that resulted from their coexistence. This is the first South African novel to portray the introduction of the Muslim faith to the Cape 'from the inside', so to speak. It does it so well that, on publication in 1999, the book was held up to then-Vice President Mbeki as an example of the tolerance and mutual respect needed in 'one city with many cultures'. The novel is informed by thorough historical research and by a study of the effects of slavery on people. Relevant excerpts introduce the different chapters and inform readers of the different views regarding slavery. Jacobs is a born storyteller who keeps the reader turning the pages.

A Hebrew legend in which a messenger from God sells himself into slavery in order to help a poor scribe.

The Experience of a Slave in South Carolina by John Andrew Jackson, first published in 1862, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

After many years of research, award-winning historian Hugh Thomas portrays, in a balanced account, the complete history of the slave trade. Beginning with the first Portuguese slaving expeditions, Hugh Thomas describes and analyzes the rise of one of the largest and most elaborate maritime and commercial ventures in all of history. Between 1492 and 1870, approximately eleven million black slaves were carried from Africa to the Americas to work on plantations, in mines, or as servants in houses. The Slave Trade is alive with villains and heroes and illuminated by eyewitness accounts. Hugh Thomas's achievement is not only to present a compelling history of the time, but to answer controversial questions as who the traders were, the extent of the profits, and why so many African rulers and peoples willingly collaborated.

Mende Nazer lost her childhood at age twelve, when she was sold into slavery. It all began one horrific night in 1993, when Arab raiders swept through her Nuba village, murdering the adults and rounding up thirty-one children, including Mende. Mende was sold to a wealthy Arab family who lived in Sudan's capital city, Khartoum. So began her dark years of enslavement. Her Arab owners called her "Yebit," or "black slave." She called them "master." She was subjected to appalling physical, sexual, and mental abuse. She slept in a shed and ate the family leftovers like a dog. She had no rights, no freedom, and no life of her own. Normally, Mende's story never would have come to light. But seven years after she was seized and sold into slavery, she was sent to work for another master-a diplomat working in the United Kingdom. In London, she managed to make contact with other Sudanese, who took pity on her. In September 2000, she made a dramatic break for freedom. Slave is a story almost beyond belief. It depicts the strength and dignity of the Nuba tribe. It recounts the savage way in which the Nuba and their ancient culture are being destroyed by a secret modern-day trade in slaves. Most of all, it is a remarkable testimony to one young woman's unbreakable spirit and tremendous courage.

In this interdisciplinary work, Stacy J. Lettman explores real and imagined violence as depicted in Caribbean and Jamaican text and music, how that violence repeats itself in both art and in the actions of the state, and what that means for Caribbean cultural identity. Jamaica is known for having one of the highest per capita murder rates in the world, a fact that Lettman links to remnants of the plantation era—namely the economic dispossession and structural violence that still haunt the island. Lettman contends that the impact of colonial violence is so embedded in the language of Jamaican literature and music that violence has become a separate language itself, one that paradoxically can offer cultural modes of resistance. Lettman codifies Paul Gilroy's concept of the "slave sublime" as a remix of Kantian philosophy through a Caribbean lens to take a broad view of Jamaica, the Caribbean, and their political and literary history that challenges Eurocentric ideas of slavery, Blackness, and resistance. Living at the intersection of philosophy, literary and musical analysis, and postcolonial theory, this book sheds new light on the lingering ghosts of the plantation and slavery in the Caribbean.