Spanning the 1950s to the 70s, the plays capture the rebellious mood of a post-war generation growing up to a backdrop of James Dean, Elvis, sharp-suited glamour, hope and despair. John Byrne takes the slab room he worked in and makes it pure theatre: the scams, the dreams, the aloof but gorgeous girl, the despair of life back home, the obligatory tormenting of the office 'weed', and the mandatory boy chat and pranks all help the day to pass. Phil and Spanky explode onto the stage in a classic vaudeville double-act. Now considered one of Scotland's defining literary works of the twentieth century, the Slab Boys Trilogy premiered at the Traverse back in the late 1970s and early 80s taking Scotland, then Britain, and then Broadway quickly by storm.

The central play in Byrne's 'Slab Boys Trilogy' (bracketed by 'The Slab Boys' and 'Still Life'), one of Scotland's defining 20th century literary works, 'Cuttin' a Rug' is set in Paisley Town Hall on a Friday evening in 1957, and highlights the theme of social inequality as the annual staff dance of A.F. Stobo & Co., Carpet Manufacturers, plays out. Its original version was premiered at the Traverse Theatre, Edinburgh, in 1979.

The third book of the Blair-witch-like abduction trilogy. Frank has been discovered at long last and may posess key answers to questions that will solve the mystery of the LOST abductions once and for all.

First play in author's "Slab Boys" triology: Paisley patterns. Comedy set in 1957 detailing working day of three slab boys (apprentice designers) in Glasgow carpet factory.

In the pitch-perfect tradition of the very best of Nick Hornby, Martin Amis, and Christopher Buckley comes Slab Rat, a razor-sharp, highly comic novel of lethal ambition and office politics. Zachary Arlen Post is an up-and-coming editor at It magazine, one of the glossiest jewels in the glittery publishing crown of Versailles Publishing. The son of a well-regarded architect and an eccentric Palm Beach socialite, Zack was educated at an exclusive boarding school and has studied at Colgate, Berkeley, and Liverpool University. He is an excellent golfer and has a talent for translating Plautus from the original Latin. Or maybe not. He is really Allen Zachary Post, the son of a garment-center bookkeeper from Queens and a pool-supply salesman from Long Island. But for Zack, his background is too prosaic for a slightly lazy but very ambitious magazine editor who wants to move up at It. Even though Zack has concocted a background that is more in keeping with the privileged world he wants to be a part of than the truth, his ascent up the masthead has stalled: Try though he might -- and maybe he's too lazy to try that hard -- he just cannot seem to get promoted. Enter Mark Larkin, a determined, Harvard-educated hire who understands how the corporate game is played. Mark says the right things, he lunches with the right people, and he pitches the right stories. A snob thriving in a world of snobs, he begins to get noticed, and, to Zack's dismay, is promoted quickly. Zack realizes that something must be done. Mark Larkin must be destroyed. To complicate his life further, Zack finds himself involved with two women. One is a cool (or is she just ice cold?) English beauty with a hyphenated last name and vague family connections to Winston Churchill. The other is an eager, sweet-natured intern whose father is the magazine's barracuda corporate counsel. Zack is torn between the style (and hyphen) of one and the good-natured substance of the other. In Slab Rat, Ted Heller uses the magazine industry as a laboratory in which to dissect human nature. He has written a biting, outrageous story of how the rats that battle for dominance amid New York's skyscrapers -- or "slabs" -- survive and triumph, and the price they must pay to win. Full of dark comedy and a ruthless satire of office life (and death), Slab Rat is a novel rich with the wicked pleasures of the heart.

From The New York Times bestselling author of Prayers for Sale comes the moving and powerful story of a small town after a devastating avalanche, and the life changing effects it has on the people who live there Whiter Than Snow opens in 1920, on a spring afternoon in Swandyke, a small town near Colorado's Tenmile Range. Just moments after four o'clock, a large split of snow separates from Jubilee Mountain high above the tiny hamlet and hurtles down the rocky slope, enveloping everything in its path including nine young children who are walking home from school. But only four children survive. Whiter Than Snow takes you into the lives of each of these families: There's Lucy and Dolly Patch—two sisters, long estranged by a shocking betrayal. Joe Cobb, Swandyke's only black resident, whose love for his daughter Jane forces him to flee Alabama. There's Grace Foote, who hides secrets and scandal that belies her genteel façade. And Minder Evans, a civil war veteran who considers his cowardice his greatest sin. Finally, there's Essie Snowball, born Esther Schnable to conservative Jewish parents, but who now works as a prostitute and hides her child's parentage from all the world. Ultimately, each story serves as an allegory to the greater theme of the novel by echoing that fate, chance, and perhaps even divine providence, are all woven into the fabric of everyday life. And it's through each character's defining moment in his or her past that the reader understands how each child has become its parent's purpose for living. In the end, it's a novel of forgiveness, redemption, survival, faith and family.

Two films and numerous books have attempted to tell the shocking story of two of Britain's most ruthless gangs. For 20 years, the Essex Boys firm and their successors, the New Generation, controlled a lucrative drugs empire in Essex and throughout the south east of England by using intimidation, gratuitous violence and murder. Rampaging through the streets and clubland, they destroyed anything and anybody that dared to get in their way. Eventually torn apart by greed and paranoia, the gang members became victims of their own vile trade and hate-filled actions. Pat Tate, Tony Tucker and Craig Rolfe were all blasted repeatedly with a shotgun as they sat in their Range Rover down a remote farm track. Dean Boshell was lured to allotments, then beaten and shot execution-style three times through the head. Others, such as Darren Nicholls and Damon Alvin, turned Super Grass and disappeared into the witness protection scheme never to be seen again, while three other men are in prison serving life sentences. Steve `Nipper` Ellis is the last man standing, the only member to have survived the bloody reign of both gangs. In Essex Boy, he tells his shocking story for the first time, and reveals just how close he came to being both murderer and murder victim.