The work of a visionary and iconoclastic feminist cartoonist—available in English for the first time The Sky is Blue with a Single Cloud collects the best short stories from Kuniko Tsurita’s remarkable career. While the works of her male peers in literary manga are widely reprinted, this formally ambitious and poetic female voice is like none other currently available to an English readership. A master of the comics form, expert pacing and compositions combined with bold characters are signature qualities of Tsurita's work. Tsurita’s early stories “Nonsense” and “Anti” provide a unique, intimate perspective on the bohemian culture and political heat of late 1960s and early ‘70s Tokyo. Her work gradually became darker and more surreal under the influence of modern French literature and her own prematurely failing health. As in works like “The Sky is Blue with a Single Cloud” and “Max,” the gender of many of Tsurita's strong and sensual protagonists is ambiguous, marking an early exploration of gender fluidity. Late stories like "Arctic Cold" and "Flight" show the artist experimenting with more conventional narrative modes, though with dystopian themes that extend the philosophical interests of her early work. An exciting and essential gekiga collection, The Sky is Blue with a Single Cloud is translated by the comics scholar Ryan Holmberg and includes an afterword cowritten by Holmberg and manga editor Mitsuhiro Asakawa delineating Tsurita's importance and historical relevance.

A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they’re no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping—together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko’s parents are eager to arrange a marriage for her, but Ichiro doesn’t seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.

Navigating their burned-out, futuristic city home under constant threat from a pair of dragons circling the skies, three young people are forced to flee and confront challenges ranging from fire and conspiracies to taboo drugs and dragon-worshippers.

In this graphic novel, readers follow various characters' paths in a fantastical world of endless tracks. One runner relies on her poncho to give her direction. Another deals with a suddenly missing appendage. There are also algebra dogs, a juice institute, and a helpful network that consists of miles of string that proves that, no matter how far apart, the friends you can rely on are the ones you met while traversing life's twisty-turny trails. Cartoonist Henry McCausland’s flowing page layouts showcase his elaborate landscapes and thrilling kinetic energy, matching them with a laugh-out-loud, idiosyncratic sense of humor.

Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.

Presents a chronicle in verse of the life of Bessie Coleman, the first African-American aviator, who dreamed of flying as a child in the cotton fields of Texas and persevered until she made that dream come true. Reprint.

From the author of Astrophysics for People in a Hurry and the host of Cosmos: A Spacetime Odyssey, a memoir about growing up and a young man's budding scientific curiosity. This is the absorbing story of Neil deGrasse Tyson’s lifelong fascination with the night sky, a restless wonder that began some thirty years ago on the roof of his Bronx apartment building and eventually led him to become the director of the Hayden Planetarium. A unique chronicle of a young man who at one time was both nerd and jock, Tyson’s memoir could well inspire other similarly curious youngsters to pursue their dreams. Like many athletic kids he played baseball, won medals in track and swimming, and was captain of his high school wrestling team. But at the same time he was setting up a telescope on winter nights, taking an advanced astronomy course at the Hayden Planetarium, and spending a summer vacation at an astronomy camp in the Mojave Desert. Eventually, his scientific curiosity prevailed, and he went on to graduate in physics from Harvard and to earn a Ph.D. in astrophysics from Columbia. There followed postdoctoral research at Princeton. In 1996, he became the director of the Hayden Planetarium, where some twenty-five years earlier he had been awed by the spectacular vista in the sky theater. Tyson pays tribute to the key teachers and mentors who recognized his precocious interests and abilities, and helped him succeed. He intersperses personal reminiscences with thoughts on scientific literacy, careful science vs. media hype, the possibility that a meteor could someday hit the Earth, dealing with society’s racial stereotypes, what science can and cannot say about the existence of God, and many other interesting insights about science, society, and the nature of the universe. Now available in paperback with a new preface and other additions, this engaging memoir will enlighten and inspire an appreciation of astronomy and the wonders of our universe.