In "The Original Text of the New Testament," renowned conservative Christian New Testament Textual Criticism scholar delves into the rich and unparalleled manuscript evidence for the Greek New Testament. With a deep commitment to establishing the original words of the New Testament manuscripts, this comprehensive guide illuminates the essential principles and historical development of textual criticism while addressing common misconceptions and skepticism. With over 5,800 Greek New Testament manuscripts, more than 15,000 version manuscripts, and numerous church father quotations, the author demonstrates how the vast wealth of evidence surpasses any other ancient literature. The book examines the history of textual criticism since the 1500s, exploring the contributions of notable scholars, the discovery of key manuscripts, and the development of critical editions of the Greek New Testament. Through detailed analysis of textual variants and evaluation criteria, this scholarly work provides readers with the tools to confidently ascertain the original text of the New Testament. The author also highlights the role of the Holy Spirit in the transmission and preservation of God's Word, emphasizing the importance of faith in approaching the text. "The Original Text of the New Testament" serves as both a comprehensive introduction for students of textual criticism and a valuable resource for seasoned scholars. By demonstrating the reliability and trustworthiness of the New Testament text, this book emboldens Christian readers to engage with their faith on a deeper level, instilling confidence in the enduring quest for the original text.

Presenting some of the best work from the 2017 Comparative Drama Conference at Rollins College in Winter Park, Florida, this collection highlights the latest research in comparative drama, performance and dramatic textual analysis. Contributors cover a broad range of topics, from the "practical ethnography" of directing foreign language productions to writing for theoretical stages to the "radical deaf theater" of Aaron Sawyer's The Vineyard. A full transcript of the keynote conversation with American playwright and screenwriter Lisa Loomer is included.

During the past two or three decades, the value of the text of the Hebrew Bible as a testimony to the history of Israel has come under siege. As the date of the final form of the text has been pushed later and later, often into the Hellenistic era, the text has been devalued accordingly: what is “late” is viewed as having less value. At the same time, the connection between the text and extratextual information, particularly from archaeology, has been rendered less and less clear by both archaeological investigation itself and an increasing inability to connect text and artifact, or to do so compellingly. Some of the foremost scholars who have argued that the biblical text contributes little to historical research have come from Copenhagen. Now, from Copenhagen, Jens Bruun Kofoed steps forward to address the methodological issues that must lie behind the use of the biblical text and its validation as a source for historical information. In this volume, he sets out the methodological stepping stones necessary to an honest use of the biblical text and, through discussion of presuppositions underlying various methodologies and by evaluating specific test cases, shows (among other things) that “lateness” of the extant text by itself is not a charge that reduces the text’s value as a source of historical information; that taking modern genre research and authorial intent into account opens new vistas for evaluating the historiographical reliability of ancient texts; and that a way forward from the current impasse is possible."

Eugene Goodheart examines the skeptic disposition that has informed advanced literary discourse over the past generation, arguing that the targets of deconstructive suspicion are fundamental humanistic values. "[This book] is a fair-minded, generous critique of the deconstructionist theories of Jacques Derrida, Paul de Man, and their followers. These writers have argued that language is so inherently slippery it can never express a speaker's intended meaning. The critic's role, in their view, is to explore the contradictions, subtexts, and metaphorical byways of works that may be most radically deceptive when they appear simple. Critics have castigated this language-centered skepticism as a form of nihilism geared to multiply numbingly similar readings of already familiar texts. Mr. Goodheart's objection is more subtle. He suggests that the philosophical orientation of deconstructive critics leads them to overemphasize the tricky propositional sense of words at the expense of the broader impact of literature--its power to wound, thrill, or transform us."--Morris Dickstein, The New York Times Book Review Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This handbook brings together scholars from around the globe who here contribute to our understanding of how digital rhetoric is changing the landscape of writing. Increasingly, all of us must navigate networks of information, compose not just with computers but an array of mobile devices, increase our technological literacy, and understand the changing dynamics of authoring, writing, reading, and publishing in a world of rich and complex texts. Given such changes, and given the diverse ways in which younger generations of college students are writing, communicating, and designing texts in multimediated, electronic environments, we need to consider how the very act of writing itself is undergoing potentially fundamental changes. These changes are being addressed increasingly by the emerging field of digital rhetoric, a field that attempts to understand the rhetorical possibilities and affordances of writing, broadly defined, in a wide array of digital environments. Of interest to both researchers and students, this volume provides insights about the fields of rhetoric, writing, composition, digital media, literature, and multimodal studies.

Based on a detailed analysis of gender in Stanley Cavell's treatment of the skeptical problem, this book addresses the relationship between gender and religion in modern skepticism. Engaging in dialogue with Julia Kristeva's philosophy, Viefhues claims that a religious problem underlies Cavell's understanding of the feminine. The feminine which the skeptic fears is construed as a placeholder for the beyond, marking the transcendence of our origins which are elusive yet at the same time part of ourselves. It is argued that a religious question of origins thus lies at the heart of the modern skeptical problem.