Ann Bridge takes the little-known country of Albania for her background recreating the primitive grandeur of the country. The Albanian way of life demonstrates a noble standard of values that is rapidly disappearing under the pressure of modern materialism. Our protagonist is an unhappy and disillusioned young widow who travels to Albania as the result of a chance encounter on the Istanbul express. A fellow passenger tells her that there she will find a life that contains something far more satisfying than the restless gaiety of her cosmopolitan clique. Later, living in the feudal household of an Albanian prince, absorbing an atmosphere of immemorial dignity, and enjoying the friendship of two remarkable women – one a mature and cultured English writer, the other a wise old American doctor – she comes to understand what he had meant. And when, for the second time, she is faced with a tragic outcome to hopes of happiness in love, she is able to find solace among the granite heights and singing waters of Albania.

Singing Under Water is a remarkable collection of poetry and prose. As varied as its authors, the pieces give a great deal of insight into the human condition. There is suffering here, but also beauty, faith, transcendence, skill, and art. If you want to delve into the workings of the heart and soul, do read this. The above description comes from Santa Fe, NM author, Miriam Sagan.

Singing Waters is a selection of over 100 of Johnette Downing's previously published haiku, senryu, and haibun in one volume. "These are healing poems, menders of the broken bones we have made of East and West, body and spirit, craft and art, song and prayer. In these poems, Insight is everything." -- Darrell Bourque, Louisiana Poet Laureate, 2007-2011

An interpretation of two Mother Goose rhymes.

To do with the calling of loons, with northern lights, and the great silences of land lying northwest of Lake Superior. It is concerned with the simple joys, the timelessness and perspective found in a way of life which is close to the past. I have heard the singing in many places, but I seem to hear it best in the wilderness lake country of the Quetico-Superior, where travel is still by pack and canoe over the ancient trails of the Indians and voyageurs." Thus the author sets the theme and tone of this enthralling book of discovery about one of the few great primitive areas in our country which have withstood the pressures of civilization. Acute natural perceptivity and a profound knowledge of the relationships to be found in nature combine here in vivid evocations of the sights, the sounds, the vast stillnesses, and the events of the wilderness as the seasons succeed each other. But Mr. Olson is not content merely to "describe; he probes for meanings that will lead the reader to a different and more revealing way of looking at the out-of-doors and to a deeper sense of its eternal values. In each of the thirty-four chapters of The Singing Wilderness he has sought to capture an essential quality of our magnificent lake and forest heritage. He shows us what can be read from the rocks of the great Canadian Shield; he offers a delightful essay on the virtues of pine knots as fuel; he writes of the ways of a canoe, of flashing trout in the pools of the Isabella, of tamarack bogs, caribou moss, the flight of wild geese, timber wolves, and the birds of the ski trails. And much more, with something to satisfy every taste for wilderness experience. Superbly illustrated with 38 black-and-white drawings by Francis Lee Jaques, The Singing Wilderness is a book that no lover of nature will want to be without. To anyone who contemplates a vacation in the lake country of northern Minnesota and adjoining Canada, it is the perfect vade mecum.

We live in an age of vast and rapid destruction of habitats and species. Yet Christianity holds great potential for healing this situation. Indeed, the Bible and Christian tradition are a treasure trove of rich images and stories about God as an "earthen" being who sustains the natural world with compassion and thereby models for humankind environmentally healthy ways of being.Mark Wallace's stimulating book retrieves a central but often neglected biblical theme - the idea of God as carnal Spirit who indwells all things - as the basis for constructing a "green spirituality" responsive to the environmental needs of our time.In the biblical tradition, he writes, God as Spirit is an ecological presence that shows itself to us daily by living in and through the earth. One message of Christianity, therefore, is celebration of the bodily, material world - ancient redwoods, vernal springs, broad-winged hawks, everyday pigweed - as the place that God indwells and cares for in order to maintain the well-being of our common planetary home.Alongside his green reading of the Bible and tradition, Wallace employs the resources of deep ecology, Neopagan spirituality, and the environmental justice movement to rethink Christianity as an earth-based, body-loving religion. He also analyzes color images reproduced in the book. Wallace's bold yet careful work reawakens our sense of the sacrality of the earth and the life that the trinitarian God creates there. It also grounds the impulses of New Age spirituality in a profoundly biblical notion of God's being and activity.