In Singing of the Dead, the next installment in Dana Stabenow's acclaimed crime series, Kate Shugak hires onto the staff of a political campaign to work security for a Native woman running for state senator. The candidate has been receiving anonymous threats, and Kate, who went to college with two of the staffers, is to become her shadow, watching the crowds at rallies and fundraisers. But just as she's getting started the campaign is rocked by the murder of their staff researcher, who, Kate discovers, was in possession of some damning information about the pasts of both candidates. In order to track the killer, Kate will have to delve into the past, in particular the grisly murder of a "good-time girl" during the Klondike Gold Rush in 1915. Little can she guess the impact a ninety-year-old unsolved case could have on a modern-day psychotic killer.

Singing for the Dead chronicles ethnic revival in Oaxaca, Mexico, where new forms of singing and writing in the local Mazatec indigenous language are producing powerful, transformative political effects. Paja Faudree argues for the inclusion of singing as a necessary component in the polarized debates about indigenous orality and literacy, and she considers how the coupling of literacy and song has allowed people from the region to create texts of enduring social resonance. She examines how local young people are learning to read and write in Mazatec as a result of the region's new Day of the Dead song contest. Faudree also studies how tourist interest in local psychedelic mushrooms has led to their commodification, producing both opportunities and challenges for songwriters and others who represent Mazatec culture. She situates these revival movements within the contexts of Mexico and Latin America, as well as the broad, hemisphere-wide movement to create indigenous literatures. Singing for the Dead provides a new way to think about the politics of ethnicity, the success of social movements, and the limits of national belonging.

This book engages with the question of how music expresses and responds to the profound existential disturbance that death and loss present to the living. Singing Death ranges across genres from medieval love song to twenty-first-century horror film music. Each chapter offers readers an encounter with music as a distinct way of speaking or responding to human mortality. The chapters cover a wide range of disciplines: musicology, ethnomusicology, literature, history, philosophy, film studies, psychology and psychoanalysis. The collection is accompanied by a website including some of the music associated with each of its chapters.

It is the run-up to Christmas when two seven-year-old boys are abducted from the streets of Glasgow. For DI Colin Anderson the case is especially disturbing, because the boys look so much like his own young son Peter. When a simple house fire turns into a full-scale murder investigation, and with cold and flu season having taken many officers off the street, the force is stretched to breaking point. DS Costello’s hunch is the crimes are connected, and a killer is ingeniously hiding his trail. As the squad continues to struggle working both cases, for DI Anderson the nightmare is about to get terrifyingly close to home.

OGreg Hunt has written a searing spiritual memoir. His personal transparency evinces the humility of one who has wrestled with God, indeed.ONMolly T. Marshall, president, Central Baptist Theological Seminary.

This is an Authors Guild/BIP title. Please use Authors Guild/BIP specs. Author's bio: Marc Talbert has written many books for young readers, several of them published in seven foreign countries. He lives with his wife and two daughters in Tesque, New Mexico. Description: Published in Japan, Great Britain, Spain, Norway, and Denmark, Dead Birds Singing has won numerous awards in the United States and abroad.

The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.