Traces the histories of singing games such as ring a ring o' roses, oranges and lemons and others, and is an exposition both of the workings of folklore, and of the perennial ways of young children when left to play on their own. Each of the 150 games is described in historical detail.

This great book by Aimee contains a brand new collection of singing games from the USA and around the world. What is a singing game you may ask? How about Action Games, Ball Games, Catching Games, Chase Games, Clapping Games, Elimination Games, and the ever so important Name Games. Each activity has full directions and a full score.This collection contains new songs you've never seen as well as some new variations on some familiar singing games. There are several songs of each style making a collection large enough to keep your kids busy! Need a new sponge activity or a quick warm-up for the day? This is the book to have.

Advisory note: offensive or disrespectful term.

This book is an unique resource which directly addresses all performers who sing and act, whether in opera, musical theatre or music-theatre. By looking beyond the separate acts of singing and acting the performer builds up a greater awareness of how the two interrelate to form a single powerful expression. Using games, exercises and discussion, The Singing and Acting Handbook takes a stimulating approach to the demands made upon today's performers, and will equip both the experienced professional and the student to take full advantage of rehearsal and performance. With advice on approaches to learning music, interpreting scores, and building characters, it provides a long-awaited innovative resource for performers, directors, workshop leaders and teachers.

The result of a unique research project exploring the relationship between children's vernacular play cultures and their media-based play, this collection challenges two popular misconceptions about children's play: that it is depleted or even dying out and that it is threatened by contemporary media such as television and computer games. A key element in the research was the digitization and analysis of Iona and Peter Opie's sound recordings of children's playground and street games from the 1970s and 1980s. This framed and enabled the research team's studies both of the Opies' documents of mid-twentieth-century play culture and, through a two-year ethnographic study of play and games in two primary school playgrounds, contemporary children's play cultures. In addition the research included the use of a prototype computer game to capture playground games and the making of a documentary film. Drawing on this extraordinary data set, the volume poses three questions: What do these hitherto unseen sources reveal about the games, songs and rhymes the Opies and others collected in the mid-twentieth century? What has happened to these vernacular forms? How are the forms of vernacular play that are transmitted in playgrounds, homes and streets transfigured in the new media age? In addressing these questions, the contributors reflect on the changing face of childhood in the twenty-first century - in relation to questions of gender and power and with attention to the children's own participation in producing the ethnographic record of their lives.