While Georg Simmel is widely known, the impact of his work has been far from straightforward, with the ways in which his ideas have been taken up by later thinkers as complex and diverse as the ideas themselves. The Simmelian Legacy is a comprehensive study of the work of this influential sociologist and philosopher and its reception in the Anglophone, German, and French intellectual worlds. By returning to Simmel and his legacy, this text gives voice to a corpus of vast significance and great potential that has lived too much in the shadows. It examines how his relational mode of thought transforms the landscape of sociological problems to subvert conventional conceptions of Simmel's oeuvre as well as of sociology's history. It not only rediscovers key dimensions of Simmel's thought, but also explores its gradual and uneven re-emergence within subsequent scholarship. This is an engaging and lucid, intellectually illuminating and thoroughly accessible overview of the thought of one of sociology's key thinkers that will be essential reading for both scholars and students of sociology and social theory.

This book draws upon the work of Georg Simmel to explore the limits, tensions and dynamism of social life through a close analysis of the works produced in the final years of his life and reveals what they might still offer some 100 years later. Focusing on the relationships between worlds, lives and fragments in these works, David Beer opens up a conceptual toolkit for understanding life as both an individual experience and as a deeply social phenomenon. Taking the reader through artistic and musical forms of inspiration, to the problems of culture and on to the conceptual understanding of lived experience, the book illuminates the richness of Simmel’s ideas and thinking. This sophisticated dialogue with Simmel’s lesser known later works will provide fresh insights for students and scholars of cultural and social theory and pave the way for a reinvigorated engagement with his ideas.

Bringing together the work of scholars from across Europe, this book shows how Simmel's categories can be used to explore contemporary issues and further shed light on trends characteristic of global modernity. Thematically organised around the major societal challenges currently faced by developed countries – those of making societies that are inclusive, reflexive and creative, sustainable, and democratic societies – it examines diverse phenomena, such as living in an increasingly multicultural societies, the social exclusion of vulnerable ethnic groups, the increasing concern with cyberbullying, the need to fight climate change, the rise of political populism, and the recruitment of youths from western countries to Islamic religious fundamentalism. Drawing on Simmel’s sociological theory and expounding new approaches to research inspired by his work, this volume emphasises the conceptual pillars of Simmelian thought, meanings, processes, and forms. As such, it will appeal to scholars of sociology and social theory with interests in the work of Simmel and its contemporary relevance.

The Routledge International Handbook of Simmel Studies documents the richness, variety, and creativity of contemporary international research on Georg Simmel’s work. Starting with the established role of Simmel as a classical author of sociology, and including the growing interest in his work in the domain of philosophy, this volume explores the research on Simmel in several further disciplines including art, social aesthetics, literature, theatre, essayism, and critical theory, as well as in the debates on cosmopolitanism, economic pathologies of life, freedom, modernity, religion, and nationalism. Bringing together contributions from leading specialists in research on Simmel, the book is thematically arranged in order to highlight the relevance of his oeuvre for different fields of recent research, with a further section tracing the most important paths that Simmel’s reception has taken in the world. As such, it will appeal to scholars across the social sciences and humanities, and to sociologists, philosophers, and social theorists in particular, with interest in Simmel’s thought.

Georg Simmel, as well as being a major philosopher, is one of the founding figures of sociology whose work is comparable in importance to that of Marx, Weber, and Durkheim. His writings on money, metropolises, and modernity have inspired generations of thinkers for over a century. In this book, leading expert Thomas Kemple clearly and accessibly introduces Simmel’s sociological and philosophical work, ranging from his masterpiece The Philosophy of Money to his famous essays ‘The Metropolis and Mental Life’ and ‘Fashion’ and beyond. The author situates his writings within his social and intellectual circles and analyses them in light of current debates surrounding urban sociology and social networks, phenomenology and metaphysics, cultural criticism and the study of everyday life. He brings Simmel’s most famous works into conversation with others that have received less attention, such as his writings on nature, art, religion, and sexuality. Through diagrams, everyday examples, and expositions of the work of his predecessors and contemporaries, and successors, this highly readable book captures the innovative spirit of Simmel’s unique method of thinking about cultural objects and his original style of writing about social life. Commemorating the 100th anniversary of Simmel’s death, it will be the leading guide to Simmel’s thought for generations of students and scholars.

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, “art for art’s sake”, art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel’s finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel’s reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel’s themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations preserves the narrative ease of Simmel’s prose and will be a vital source for readers with an interest in Simmel’s trailblazing ideas in modern European philosophy, sociology, and cultural theory.

This book reconstructs and compares the social theories of modernity of Georg Simmel and Walter Benjamin, two classic thinkers in German social thought. The author focuses on five main topics: the historical-sociological method through which they investigate modernity; how are the concepts of history and society possible; the consequences of modern metropolis on the construction of individual subjectivity; the aestheticization of everyday life caused by the expansion of commodity culture; and the female culture as a counter-power to the domination of masculine objective culture. In the decades since Simmel and Benjamin, urban reality has undergone profound changes and we may even question the very existence of the subject of analysis: what is the city, the metropolis in today’s context of globalization and capital flows? Simmel’s and Benjamin’s metropolis has thus become an “endless city," beyond the physical and geographical confines of urban reality.